Search

Subscribe

Subscribe to Senses of Cinema to receive news of our latest cinema journal.
Enter your email address below:

Submit

Features
Recent
- The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig
  
  D. Andy Rice
  
  December 2018
  
  Issue 89
- Audience and Performance in Kid Auto Races at Venice
  
  Macy Todd
  
  December 2018
  
  Issue 89
- Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge
  
  Matthew J. Mason
  
  December 2018
  
  Issue 89
- Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning
  
  Peter Rist
  
  December 2018
  
  Issue 89
more articles...
Random
- Memory’s Chorus: Stories We Tell and Sarah Polley's Theory of Autobiography
  
  Leah Anderst
  
  December 2013
  
  Feature Articles
  
  Issue 69
Festival Reports
Recent
- #Youmustsee: The 2018 Adelaide International Film Festival
  
  Saige Walton
  
  December 2018
  
  Issue 89
- Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival
  
  Marc Raymond
  
  December 2018
  
  Issue 89
- Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival
  
  Lucian Tion
  
  December 2018
  
  Issue 89
- Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival
  
  Tara Judah
  
  December 2018
  
  Issue 89
more articles...
Random
- “Reality” as Embattled Story: Donbass in Odesa and Their Own Republic at Doclisboa
  
  Carmen Gray
  
  December 2018
  
  Festival Reports
  
  Issue 89
Book Reviews
Recent
more articles...
Random
- The Beauty of the Real: What Hollywood Can Learn From Contemporary French Actresses by Mick LaSalle
  
  Kath Dooley
  
  March 2013
  
  Book Reviews
  
  Issue 66
CTEQ
Recent
- See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)
  
  Joseph Sgammato
  
  February 2019
- Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America
  
  Danica van de Velde
  
  February 2019
- Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)
  
  Eloise Ross
  
  October 2018
  
  Issue 88
- Hail (Amiel Courtin-Wilson, 2011)
  
  Felicity Ford
  
  October 2018
  
  Issue 88
more articles...
Random
- When A Woman Ascends the Stairs: Naruse’s Representation of Women in Post-War Japan
  
  Mel Aguilar
  
  June 2015
  
  Cinémathèque Annotations on Film
  
  Issue 75
Great Directors
Recent
- Takahata, Isao
  
  Ruth Richards
  
  December 2018
  
  Issue 89
- Dovzhenko, Alexander
  
  Jeremy Carr
  
  December 2018
  
  Issue 89
- Weerasethakul, Apichatpong
  
  Nathan Senn
  
  October 2018
  
  Issue 88
- Oliveira, Manoel de
  
  Wheeler Winston Dixon
  
  October 2018
  
  Issue 88
more articles...
Random
- Edwards, Blake
  
  June Werrett
  
  January 2003
  
  Great Directors
  
  Issue 24
Podcast
Support us on Patreon
- Thank you to our Patrons
Subscribe

Can you spare a few dollars to help us keep publishing outstanding writing on cinema?

Support us by joining our Patreon community and get heaps of rewards like e-Zines & bonus podcast content!

Join up now >>

Don't show this in future

About Senses of Cinema
Past Issues
Special Dossiers
World Poll
Advertisers
Proposals
Visit our Store

Features
Festival Reports
Book Reviews
CTEQ
Great Directors
Special Dossiers
Past Issues
Podcast
Support us on Patreon
Subscribe

13

Rachel Brown

June 2013

Share On:

Read the Senses of Cinema World Poll 2018

INTRODUCTION

PART 1

PART 2

PART 3

PART 4

PART 5

PART 6

PART 7 Join Us

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Staff Members

Editors:
César Albarrán-Torres, Michelle Carey, Daniel Fairfax, Mark Freeman, David Heslin
Webmaster and Administrator: Bradley Dixon

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

Search

About Senses of Cinema
Contact Us
Privacy
Proposals
Advertisers
Staff

The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

Audience and Performance in Kid Auto Races at Venice

Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

Memory’s Chorus: Stories We Tell and Sarah Polley's Theory of Autobiography

#Youmustsee: The 2018 Adelaide International Film Festival

Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

“Reality” as Embattled Story: Donbass in Odesa and Their Own Republic at Doclisboa

Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

The Beauty of the Real: What Hollywood Can Learn From Contemporary French Actresses by Mick LaSalle

See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

Hail (Amiel Courtin-Wilson, 2011)

When A Woman Ascends the Stairs: Naruse’s Representation of Women in Post-War Japan

Takahata, Isao

Dovzhenko, Alexander

Weerasethakul, Apichatpong

Oliveira, Manoel de

Edwards, Blake

13