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Rachel Brown

June 2013

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INTRODUCTION

PART 1

PART 2

PART 3

PART 4

PART 5

PART 6

PART 7

PART 8 Search

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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Editors:

César Albarrán-Torres • Michelle Carey • Bradley J. Dixon • Daniel Fairfax • Fiona Villella

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Staff

John Korty: Small Cinema, Great Rewards

Unearthing a Forgotten Television Work by Jean-Luc Godard

Recollections of Coproducing Two Videos by Jean-Luc Godard for Prime-Time on Télévision Suisse Romande: Voyage à travers un film (Sauve qui peut (la vie)) (1981) and Scénario du film Passion (1982)

Eisenstein as Curator

Soul-Surviving: Blinded by the Light

Hidden Images: The Disappearance and Re-appearance of the Leader Lady

Pictures of You: Allison Chhorn’s The Plastic House

Perspectives on the Ethereal: The 46^th London Film Festival

Your Daughters Come Back to You: The 28th Pan African Film and Arts Festival

Reimagining the Film Festival Landscape in the Time of a Global Pandemic: The 27th Sheffield Doc/Fest

Closer Than Ever? The 1st Long Distance Film Festival

More Like Collage Than Contest: The 67th Internationale Kurzfilmtage Oberhausen Online

The Last Film Festival: the 2020 Berlinale

AFI/AFM 2010 – Places to Fly Away From

Filmmaker, musician and poet: Jim Jarmusch: Music, Words and Noise by Sara Piazza

Creating the Appearance of Being: The Art of American Screen Acting 1960 to Today, by Dan Callahan

The Restless Spectator: Anxious Cinephilia: Pleasure and Peril at the Movies, by Sarah Keller

Engaged Vision: Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar

Reagan at the Movies: Make My Day: Movie Culture in the Age of Reagan, by J. Hoberman

Hidden Faces, Hidden Identities: Masks in Horror Cinema: Eyes without Faces, by Alexandra Heller-Nicholas

The Big Goodbye: “Chinatown” and the Last Years of Hollywood, by Sam Wasson

Blind Chance (Przypadek)

“An Artist Always Paints His Own Portrait”: Jean Cocteau’s Testament of Orpheus (1960)

Les Enfants Terribles (Jean-Pierre Meville, 1950)

Between Dreams and Death: Jean Cocteau’s Orpheus (1950)

Family Matters: Les Parents terribles (Jean Cocteau, 1948)

Once Upon a Time…: Beauty and the Beast (Jean Cocteau, 1946)

The Blood of a Poet (Jean Cocteau, 1932)

Méliès, Georges

Wise, Robert

Fernández, Emilio “Indio”

Fei Mu

Huston, John

Stone, Oliver

Klapisch, Cédric

13