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13

Rachel Brown

June 2013

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Read the Senses of Cinema World Poll 2017

INTRODUCTION

PART 1

PART 2

PART 3

PART 4

PART 5

PART 6 Join Us

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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Editors:
César Albarrán-Torres, Michelle Carey, Daniel Fairfax, Mark Freeman, David Heslin
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You Live Till You Die: Fatih Akin’s Hesitant Vigilante

The Doors of Reception: Notes Toward a Psychedelic Film Investigation

Darkness Itself Made Plastic: The Forms and Formlessness of Jacques Rivette’s La Belle Noiseuse

Valeska Grisebach’s Western: an unacknowledged remake of Samuel Fuller’s Run of the Arrow

Hugo, Remediation, and the Cinema of Attractions, or, The Adaptation of Hugo Cabret

Cold Wars: The 2018 Cannes Film Festival

Breaking Down Borders in the Midwest: True/False 2018

Finding the Forest Through the Trees: The 64th Internationale Kurzfilmtage Oberhausen

New Achievements, New Challenges: The 20th Far East Film Festival

The Arab Spring and Maghrebin Cinema: The 6^th Panorama des Cinémas du Maghreb, Saint Denis

Styles of Substance: The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema, by Robert P. Kolker

Mind of a Movie Critic: Two Cheers for Hollywood, by Joseph McBride

Face, Flesh, Film: The Face on Film by Noa Steimatsky

Cinema, the Art of Artificial Darkness: Artificial Darkness: An Obscure History of Modern Art and Media, by Noam Elcott

Widescreen Worldwide edited by John Belton, Sheldon Hall and Steve Neale

The Mercenary (Sergio Corbucci, 1968)

Comedy and the Castratrice: Věra Chytilová’s Traps (1998)

Destiny (Fritz Lang, 1921)

Sabata (Gianfranco Parolini, 1969): The Best of the Bad

Alyonka

Philippe Grandrieux

Luchino Visconti

Chantal Akerman

Sergei Eisenstein

Philippe Grandrieux

13