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  • Features
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    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Alex Keeble
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Alex Keeble
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Alex Keeble
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Alex Keeble
      October 2019
      Issue 92
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    Random
    • ‘This Thing of Ours’: A Woman’s Place in the Gangster Genre

      Alex Keeble
      July 2019
      Feature Articles
      Issue 91
  • Festival Reports
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    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Alex Keeble
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Alex Keeble
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Alex Keeble
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Alex Keeble
      October 2019
      Issue 92
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    Random
    • Italia Almirante-Manzini plays the painter Sofonisba in Cabiria (Giovanni Pastrone, 1914) Image courtesy of Museo Nazionale del Cinema di Torino

      A Moviegoer’s Lament, or a Report on Recine, Rio de Janeiro’s International Festival of Archival Cinema

      Alex Keeble
      December 2011
      Festival Reports
      Issue 61
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Alex Keeble
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Alex Keeble
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Alex Keeble
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Alex Keeble
      July 2019
      Issue 91
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    Random
    • The Psychology of Seeing and the Cinema of Roman Polanski by Davide Caputo

      Alex Keeble
      November 2012
      Book Reviews
      Issue 65
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Alex Keeble
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Alex Keeble
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Alex Keeble
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Alex Keeble
      October 2019
      Issue 92
    more articles...
    Random
    • Marketa Lazarová

      The Vanguard of Marketa Lazarová

      Alex Keeble
      September 2016
      Cinémathèque Annotations on Film
      Issue 80
  • Great Directors
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    • Fei Mu

      Alex Keeble
      October 2019
      Issue 92
    • Huston, John

      Alex Keeble
      July 2019
      Issue 91
    • Stone, Oliver

      Alex Keeble
      July 2019
      Issue 91
    • Klapisch, Cédric

      Alex Keeble
      March 2019
      Issue 90
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    Random
    • Malick, Terrence

      Alex Keeble
      December 2002
      Great Directors
      Issue 23
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Author Alex Keeble

Alex Keeble

Alex Keeble is completing an Arts-Law Degree at the University of Melbourne and is a part-time filmmaker.

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A Sample of the St. Kilda Film Festival Reviewed II

Alex Keeble
June 2000
Festival Reports
Issue 7
Capsule reviews on select films screening in the Australian short film competition.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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