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	<title>Senses of Cinema &#187; Alex Ling</title>
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	<description>Issue 62</description>
	<lastBuildDate>Thu, 26 Apr 2012 03:22:25 +0000</lastBuildDate>
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		<title>Screen Theorizing Today: A Celebration of Screen’s Fiftieth Anniversary edited by Annette Kuhn</title>
		<link>http://sensesofcinema.com/2010/book-reviews/screen-theorizing-today-a-celebration-of-screen%e2%80%99s-fiftieth-anniversary-edited-by-annette-kuhn-2/</link>
		<comments>http://sensesofcinema.com/2010/book-reviews/screen-theorizing-today-a-celebration-of-screen%e2%80%99s-fiftieth-anniversary-edited-by-annette-kuhn-2/#comments</comments>
		<pubDate>Sun, 11 Jul 2010 14:56:59 +0000</pubDate>
		<dc:creator>Alex Ling</dc:creator>
				<category><![CDATA[Book Reviews]]></category>
		<category><![CDATA[Issue 55]]></category>

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		<description><![CDATA[It is difficult to overstate the impact the British journal Screen has had on the discipline of film and television studies. For the past 50 years, the journal has consistently been at the centre of debates around how we watch, why we watch, and what all this watching actually means. Moreover, when it came to ]]></description>
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		<title>The New Face of Political Cinema: Commitment in French Film Since 1995 by Martin O’Shaughnessy</title>
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		<pubDate>Mon, 28 Dec 2009 07:31:29 +0000</pubDate>
		<dc:creator>Alex Ling</dc:creator>
				<category><![CDATA[Book Reviews]]></category>
		<category><![CDATA[Issue 53]]></category>
		<category><![CDATA[French Film]]></category>

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		<description><![CDATA[The relationship of cinema to politics has a rich and chequered history, effectively dictating the form of many of cinema’s most vibrant configurations (Russian cinema in the wake of the 1917 revolution, Italian neorealism after the Second World War…). The real stakes of the affair however were perhaps most clearly spelt out in France in ]]></description>
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