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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Allison Maplesden
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Allison Maplesden
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Allison Maplesden
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Allison Maplesden
      December 2018
      Issue 89
    more articles...
    Random
    • The Appearance of Appearance: Absolute Truth in Abbas Kiarostami’s ABC Africa

      Allison Maplesden
      July 2013
      Feature Articles
      Issue 67
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Allison Maplesden
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Allison Maplesden
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Allison Maplesden
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Allison Maplesden
      December 2018
      Issue 89
    more articles...
    Random
    • Jeonju film festival

      International Cinema, Nationalist Politics: The 17th 2016 Jeonju International Film Festival

      Allison Maplesden
      September 2016
      Festival Reports
      Issue 80
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Allison Maplesden
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Allison Maplesden
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Allison Maplesden
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Allison Maplesden
      December 2018
      Issue 89
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    • Face, Flesh, Film: The Face on Film by Noa Steimatsky

      Allison Maplesden
      June 2018
      Book Reviews
      Issue 87
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Allison Maplesden
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Allison Maplesden
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Allison Maplesden
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Allison Maplesden
      October 2018
      Issue 88
    more articles...
    Random
    • Combat - Survival

      Fever Dream: Combat! – “Survival” (Robert Altman, 1963)

      Allison Maplesden
      March 2016
      Cinémathèque Annotations on Film
      Issue 78
  • Great Directors
    Recent
    • Takahata, Isao

      Allison Maplesden
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Allison Maplesden
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Allison Maplesden
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Allison Maplesden
      October 2018
      Issue 88
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    Random
    • Fellini, Federico

      Allison Maplesden
      July 2002
      Great Directors
      Issue 21
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Author Allison Maplesden

Allison Maplesden

Allison Maplesden is a PhD student in the Film Program at Victoria University of Wellington. Her research project is on toxic female celebrity.

thumb image

Pixie Dust: Gender, Embodiment and Consumer Identities in disney.go.com/fairies and Pixie Hollow MMOG

Allison Maplesden
December 2010
Feature Articles
Issue 57
This article examines the ways in which the Disney film related website invites an embodied performance from its intended audience of young girls.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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