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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Amy Taylor
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Amy Taylor
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Amy Taylor
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Amy Taylor
      December 2018
      Issue 89
    more articles...
    Random
    • Toshirō Mifune

      Toshirō Mifune: Between Extravagance and Subtlety

      Amy Taylor
      March 2017
      Feature Articles
      Issue 82
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Amy Taylor
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Amy Taylor
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Amy Taylor
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Amy Taylor
      December 2018
      Issue 89
    more articles...
    Random
    • The Misery Tour: Can Bad News be Turned into Good Deeds?: The 14th It’s All True International Documentary Festival

      Amy Taylor
      July 2009
      Festival Reports
      Issue 51
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Amy Taylor
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Amy Taylor
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Amy Taylor
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Amy Taylor
      December 2018
      Issue 89
    more articles...
    Random
    • Beyond Bruce Lee: Or How Paul Bowman Never Learned to Stop Worrying and Love the Movies

      Amy Taylor
      June 2013
      Book Reviews
      Issue 67
  • CTEQ
    Recent
    • Fractured images and tainted dreams: Sergio Leone’s Once upon a Time in America

      Amy Taylor
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Amy Taylor
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Amy Taylor
      October 2018
      Issue 88
    • A City in Transition in Taipei Story (Edward Yang, 1985)

      Amy Taylor
      October 2018
      Issue 88
    more articles...
    Random
    • Still Life

      An Archaeology of the Filmic Essay: Untangling Harun Farocki’s Still Life (1997)

      Amy Taylor
      September 2016
      Cinémathèque Annotations on Film
      Issue 80
  • Great Directors
    Recent
    • Takahata, Isao

      Amy Taylor
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Amy Taylor
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Amy Taylor
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Amy Taylor
      October 2018
      Issue 88
    more articles...
    Random
    • McCarey, Leo

      Amy Taylor
      December 2002
      Great Directors
      Issue 23
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Author Amy Taylor

Amy Taylor

Amy Taylor is a Melbourne based writer, researcher and film critic. She is currently completing her doctorate at RMIT.

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“A Full Woman Like That”: Female Resilience in Seven Men from Now (Budd Boetticher, 1956)

Amy Taylor
May 2017
Revisiting Budd Boetticher
Issue 83
There is a moment in Budd Boetticher’s Seven Men From Now (1956) when Lee Marvin’s character voices the observation many of us have already made.  Regarding the lead female character Annie Greer, played...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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