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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Angelos Koutsourakis
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Angelos Koutsourakis
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Angelos Koutsourakis
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Angelos Koutsourakis
      October 2019
      Issue 92
    more articles...
    Random
    • In Dreams and Imagination: Surrealist Values in Mulholland Dr. and Inland Empire

      Angelos Koutsourakis
      March 2013
      Feature Articles
      Issue 66
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Angelos Koutsourakis
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Angelos Koutsourakis
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Angelos Koutsourakis
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Angelos Koutsourakis
      October 2019
      Issue 92
    more articles...
    Random
    • In The Submarine: The 2010 Melbourne International Film Festival

      Angelos Koutsourakis
      October 2010
      Festival Reports
      Issue 56
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Angelos Koutsourakis
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Angelos Koutsourakis
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Angelos Koutsourakis
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Angelos Koutsourakis
      July 2019
      Issue 91
    more articles...
    Random
    • From Bombay to Bollywood and beyond: Global Bollywood: Travels of Hindi Song and Dance edited by Sangita Gopal and Sujata Moorti

      Angelos Koutsourakis
      April 2010
      Book Reviews
      Issue 54
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Angelos Koutsourakis
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Angelos Koutsourakis
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Angelos Koutsourakis
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Angelos Koutsourakis
      October 2019
      Issue 92
    more articles...
    Random
    • Big Deal On Madonna Street

      Big Deal on Madonna Street (I soliti ignoti, Mario Monicelli, 1958)

      Angelos Koutsourakis
      January 2017
      Cinémathèque Annotations on Film
      Issue 82
  • Great Directors
    Recent
    • Fei Mu

      Angelos Koutsourakis
      October 2019
      Issue 92
    • Huston, John

      Angelos Koutsourakis
      July 2019
      Issue 91
    • Stone, Oliver

      Angelos Koutsourakis
      July 2019
      Issue 91
    • Klapisch, Cédric

      Angelos Koutsourakis
      March 2019
      Issue 90
    more articles...
    Random
    • Cohen, Larry

      Angelos Koutsourakis
      October 2003
      Great Directors
      Issue 28
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Author Angelos Koutsourakis

Angelos Koutsourakis

Angelos Koutsourakis is a Post-doctoral Research Fellow at the Centre for Modernism Studies, University of New South Wales, Australia.

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Political all the Way: the 62nd Sydney Film Festival

Angelos Koutsourakis
September 2015
Festival Reports
Issue 76
The Sydney CBD, with its futuristic, functionalist architecture, chain restaurants and cafes, and army of corporate workers walking frenetically, can hardly be described as a hospitable part of the city, or...
thumb image

Clarke, Shirley

Angelos Koutsourakis
December 2012
Great Directors
Issue 65
b. Shirley Brimberg, October 2, 1919, New York City, USA, d. September 23, 1997, Boston, USA

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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