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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Anne Marsh
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Anne Marsh
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Anne Marsh
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Anne Marsh
      December 2018
      Issue 89
    more articles...
    Random
    • Bref Magazine, or, A Tribute to Short Films and thus to the Cinema in General

      Anne Marsh
      December 2012
      Feature Articles
      Issue 65
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Anne Marsh
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Anne Marsh
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Anne Marsh
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Anne Marsh
      December 2018
      Issue 89
    more articles...
    Random
    • SXSW film festival review

      SXSW 2015

      Anne Marsh
      May 2015
      Festival Reports
      Issue 75
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Anne Marsh
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Anne Marsh
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Anne Marsh
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Anne Marsh
      December 2018
      Issue 89
    more articles...
    Random
    • Scorsese Missing In Action: Martin Scorsese’s America by Ellis Cashmore Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars by Thomas R. Lindlof

      Anne Marsh
      April 2010
      Book Reviews
      Issue 54
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Anne Marsh
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Anne Marsh
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Anne Marsh
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Anne Marsh
      October 2018
      Issue 88
    more articles...
    Random
    • Les Plages d’Agnès

      Anne Marsh
      June 2014
      Cinémathèque Annotations on Film
      Issue 71
  • Great Directors
    Recent
    • Takahata, Isao

      Anne Marsh
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Anne Marsh
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Anne Marsh
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Anne Marsh
      October 2018
      Issue 88
    more articles...
    Random
    • Linklater, Richard

      Anne Marsh
      July 2003
      Great Directors
      Issue 27
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Author Anne Marsh

Anne Marsh

Anne Marsh is Professorial Research Fellow at the Victorian College of the Arts, The University of Melbourne. Anne is author of Performance Ritual Document (Macmillan 2014), LOOK: Contemporary Australian Photography since 1980 (Macmillan 2010), Pat Brassington: This is Not a Photograph (Quintus/University of Tasmania, 2006), The Darkroom: Photography and the Theatre of Desire (Macmillan, 2003) and Body and Self: Performance Art in Australian, 1969-1992 (Oxford University Press,1993) which was recently revised and published as a kindle edition. Anne has published hundreds of essays, journal articles, exhibition catalogues and reviews. She was the Herald Sun art critic 1994-1997 and she has been the Melbourne contributing editor for Eyeline: Contemporary Visual Arts since 1997.

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Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists

Anne Marsh
December 2016
Feature Articles
Issue 81
In this paper I want to look at a few case studies from recent Australian performance art, to examine the ways in which video performance is being presented and to look at several genres inside the medium. The...

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