Author Anne Marsh

Anne Marsh

Anne Marsh is Professorial Research Fellow at the Victorian College of the Arts, The University of Melbourne. Anne is author of Performance Ritual Document (Macmillan 2014), LOOK: Contemporary Australian Photography since 1980 (Macmillan 2010), Pat Brassington: This is Not a Photograph (Quintus/University of Tasmania, 2006), The Darkroom: Photography and the Theatre of Desire (Macmillan, 2003) and Body and Self: Performance Art in Australian, 1969-1992 (Oxford University Press,1993) which was recently revised and published as a kindle edition. Anne has published hundreds of essays, journal articles, exhibition catalogues and reviews. She was the Herald Sun art critic 1994-1997 and she has been the Melbourne contributing editor for Eyeline: Contemporary Visual Arts since 1997.

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists

Anne Marsh

December 2016

Feature Articles

Issue 81

In this paper I want to look at a few case studies from recent Australian performance art, to examine the ways in which video performance is being presented and to look at several genres inside the medium. The...

Gestures of Resistance: An Interview with Tan Pin Pin

AI at the Movies and the Second Coming

Breaking the Synchronicity: An Interview with Rana Eid

Inventing Rituals: Cultural Politics in Zhang Yimou’s Historical Films

A Tribute to Maria Schneider

A Time of Reckoning? The 53rd Karlovy Vary International Film Festival

Showcasing a Myriad of Landscapes and Cityscapes: The Odessa International Film Festival

The Hope for Fissures: the Night Sight Program at the Crossing Europe Film Festival

Marty Finally Comes to Bologna: Cinema Ritrovato XXXII

Leaders in African Film Today: the 17th Festival du cinéma africain de Khouribga

Cinema Affairs: Fiery Cinema: The Emergence of an Affective Medium in China, 1915-1945, by Weihong Bao

Declaring the ‘End’, Signaling a Renewal: The End of National Cinema: Filipino Films at the Turn of the Century, by Patrick Campos

The Aesthetic Mobilities of Lyotard’s Film-Philosophy: Acinemas: Lyotard’s Philosophy of Film, by Graham Jones and Ashley Woodward (eds.)

The Said and the Unsaid (Part I): Australian Film Theory & Criticism (3 vols.), ed. Noel King, Constantine Verevis and Deane Williams

Tertium Datur: The Cinema of Alexander Sokurov by Jeremi Szaniawski

Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

Hail (Amiel Courtin-Wilson, 2011)

A City in Transition in Taipei Story (Edward Yang, 1985)

Love and Suffocation in Man Is Not a Bird (Dušan Makavejev, 1965)

Naruse’s World of Women: Flowing (1956)

Weerasethakul, Apichatpong

Oliveira, Manoel de

Grandrieux, Philippe

Visconti, Luchino

Jackson, Peter

Author Anne Marsh

Anne Marsh

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists