Author Anne Marsh

Anne Marsh

Anne Marsh is Professorial Research Fellow at the Victorian College of the Arts, The University of Melbourne. Anne is author of Performance Ritual Document (Macmillan 2014), LOOK: Contemporary Australian Photography since 1980 (Macmillan 2010), Pat Brassington: This is Not a Photograph (Quintus/University of Tasmania, 2006), The Darkroom: Photography and the Theatre of Desire (Macmillan, 2003) and Body and Self: Performance Art in Australian, 1969-1992 (Oxford University Press,1993) which was recently revised and published as a kindle edition. Anne has published hundreds of essays, journal articles, exhibition catalogues and reviews. She was the Herald Sun art critic 1994-1997 and she has been the Melbourne contributing editor for Eyeline: Contemporary Visual Arts since 1997.

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists

Anne Marsh

December 2016

Feature Articles

Issue 81

In this paper I want to look at a few case studies from recent Australian performance art, to examine the ways in which video performance is being presented and to look at several genres inside the medium. The...

Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

“A Film is a Synthesis”: An Interview with Ventura Pons

Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

Cinema, Race and the Zeitgeist: On Pulp Fiction Twenty Years Later

Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

AFM/AFI FEST 2017: Magic Women, Haptic Men

Ânûû-rû Âboro: The Festival of Peoples’ Cinema

A Tale of Two Festivals: International Film Festival of India and Experimenta

A Year of Triumph and Tragedy: Iranian Cinema and the First Iranian Film Festival Australia (IFFA)

Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

Steven Spielberg: A Biography second edition by Joseph McBride

Diary of a Chambermaid

Les Amants

La Baie des Anges

Eva (Joseph Losey, 1962)

History is Made at Night

Chantal Akerman

Sergei Eisenstein

Max Ophuls

Lindsay Anderson

Stanley Kubrick

Author Anne Marsh

Anne Marsh

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists