Author Anne Marsh

Anne Marsh

Anne Marsh is Professorial Research Fellow at the Victorian College of the Arts, The University of Melbourne. Anne is author of Performance Ritual Document (Macmillan 2014), LOOK: Contemporary Australian Photography since 1980 (Macmillan 2010), Pat Brassington: This is Not a Photograph (Quintus/University of Tasmania, 2006), The Darkroom: Photography and the Theatre of Desire (Macmillan, 2003) and Body and Self: Performance Art in Australian, 1969-1992 (Oxford University Press,1993) which was recently revised and published as a kindle edition. Anne has published hundreds of essays, journal articles, exhibition catalogues and reviews. She was the Herald Sun art critic 1994-1997 and she has been the Melbourne contributing editor for Eyeline: Contemporary Visual Arts since 1997.

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists

Anne Marsh

December 2016

Feature Articles

Issue 81

In this paper I want to look at a few case studies from recent Australian performance art, to examine the ways in which video performance is being presented and to look at several genres inside the medium. The...

Richard Linklater’s Boyhood and the problem of aging in film

A Day at Kitano’s Beach: Sonatine Makes a Fresh Start

Poverty and Women’s Sacrifices in Stella Dallas (1937) and Wendy and Lucy (2008)

‘This Thing of Ours’: A Woman’s Place in the Gangster Genre

"So Have Things Gone”: A Place Beyond the Pines

Back to Basics: The New Spirit of Cinéma du Réel

Looking Forward and Looking Back: The 20th Jeonju International Film Festival

Echoes of Exclamation: The 65th Internationale Kurzfilmtage Oberhausen

Tricky Women/Tricky Realities and the Body Politic

Killer Instinct: The 52nd San Francisco International Film Festival

Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

Mythologicals Matter: A Review of Deities and Devotees, by Uma Maheswari Bhrugubanda

A Mensch’s Moviemaking: Stanley Kubrick: New York Jewish Intellectual, by Nathan Abrams

A Multitude of Meanings: The Long Take: Critical Approaches, ed. John Gibbs and Douglas Pye

Francomania Exposed!: Murderous Passions: The Delirious Cinema of Jesús Franco by Stephen Thrower

A New Leaf (Elaine May, 1971)

Blue Steel (Kathryn Bigelow, 1990)

Close to You: Elaine May’s The Heartbreak Kid (1972)

The Hurt Locker (Kathryn Bigelow, 2008)

Emphasis on Climax: Catherine Breillat’s A Ma Soeur!

Huston, John

Stone, Oliver

Klapisch, Cédric

del Toro, Guillermo

Erice, Victor

Author Anne Marsh

Anne Marsh

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists