Author Anne Marsh

Anne Marsh

Anne Marsh is Professorial Research Fellow at the Victorian College of the Arts, The University of Melbourne. Anne is author of Performance Ritual Document (Macmillan 2014), LOOK: Contemporary Australian Photography since 1980 (Macmillan 2010), Pat Brassington: This is Not a Photograph (Quintus/University of Tasmania, 2006), The Darkroom: Photography and the Theatre of Desire (Macmillan, 2003) and Body and Self: Performance Art in Australian, 1969-1992 (Oxford University Press,1993) which was recently revised and published as a kindle edition. Anne has published hundreds of essays, journal articles, exhibition catalogues and reviews. She was the Herald Sun art critic 1994-1997 and she has been the Melbourne contributing editor for Eyeline: Contemporary Visual Arts since 1997.

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists

Anne Marsh

December 2016

Feature Articles

Issue 81

In this paper I want to look at a few case studies from recent Australian performance art, to examine the ways in which video performance is being presented and to look at several genres inside the medium. The...

Blow Guns: Escapist Erotics in Spring Breakers (Harmony Korine, 2012)

In the Cells of Fortress Europe: An Interview with Marianna Economou, director of The Longest Run

Shame and Revenge in Elle’s Paris and The Salesman’s Tehran

The Explorer: An Interview with Teddy Williams

All the World’s a Stage: Matías Piñeiro and Hermia & Helena

What is the Cinema?: The 2017 Cannes Film Festival

No Service, Keep Moving: The 63rd International Short Film Festival Oberhausen

Pan African Film Festival 2017

Ars Moriendi, or How To Film a Sculpture: The 11th Punto de Vista Festival

Notes From (Sydney) Underground: The 2nd Sydney Underground Film Festival

From Reverence to Spielberg: Steven Spielberg: A Life in Films by Molly Haskell

Western/Non-Western Approaches: Refocus: The Films of Budd Boetticher by Gary D. Rhodes and Robert Singer (eds.)

Actively Retroactive: On the Couch with Film Noir: Out of the Past: Lacan and Film Noir by Ben Tyrer

Cinema against Cinema: Daech, le cinéma et la mort by Jean-Louis Comolli

Innocence Lost: Darkness in the Bliss-Out: A Reconsideration of the Films of Steven Spielberg, by James Kendrick

A Woman Asks Why: Maborosi (Hirokazu Koreeda, 1995)

I Wish (Hirokazu Koreeda, 2011)

How Film Remembers: After Life (Hirokazu Koreeda, 1998)

Still Walking (Hirokazu Koreeda, 2008): Continuity in (E)motion

Three Crowns of the Sailor

Béla Tarr

George Miller

Phil Karlson

Dennis Hopper

Tomás Gutiérrez Alea

Author Anne Marsh

Anne Marsh

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists