Author Anne Marsh

Anne Marsh

Anne Marsh is Professorial Research Fellow at the Victorian College of the Arts, The University of Melbourne. Anne is author of Performance Ritual Document (Macmillan 2014), LOOK: Contemporary Australian Photography since 1980 (Macmillan 2010), Pat Brassington: This is Not a Photograph (Quintus/University of Tasmania, 2006), The Darkroom: Photography and the Theatre of Desire (Macmillan, 2003) and Body and Self: Performance Art in Australian, 1969-1992 (Oxford University Press,1993) which was recently revised and published as a kindle edition. Anne has published hundreds of essays, journal articles, exhibition catalogues and reviews. She was the Herald Sun art critic 1994-1997 and she has been the Melbourne contributing editor for Eyeline: Contemporary Visual Arts since 1997.

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists

Anne Marsh

December 2016

Feature Articles

Issue 81

In this paper I want to look at a few case studies from recent Australian performance art, to examine the ways in which video performance is being presented and to look at several genres inside the medium. The...

The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

Audience and Performance in Kid Auto Races at Venice

Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

Bref Magazine, or, A Tribute to Short Films and thus to the Cinema in General

#Youmustsee: The 2018 Adelaide International Film Festival

Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

SXSW 2015

Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

Scorsese Missing In Action: Martin Scorsese’s America by Ellis Cashmore Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars by Thomas R. Lindlof

See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

Hail (Amiel Courtin-Wilson, 2011)

Les Plages d’Agnès

Takahata, Isao

Dovzhenko, Alexander

Weerasethakul, Apichatpong

Oliveira, Manoel de

Linklater, Richard

Author Anne Marsh

Anne Marsh

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists