Author Anne Marsh

Anne Marsh

Anne Marsh is Professorial Research Fellow at the Victorian College of the Arts, The University of Melbourne. Anne is author of Performance Ritual Document (Macmillan 2014), LOOK: Contemporary Australian Photography since 1980 (Macmillan 2010), Pat Brassington: This is Not a Photograph (Quintus/University of Tasmania, 2006), The Darkroom: Photography and the Theatre of Desire (Macmillan, 2003) and Body and Self: Performance Art in Australian, 1969-1992 (Oxford University Press,1993) which was recently revised and published as a kindle edition. Anne has published hundreds of essays, journal articles, exhibition catalogues and reviews. She was the Herald Sun art critic 1994-1997 and she has been the Melbourne contributing editor for Eyeline: Contemporary Visual Arts since 1997.

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists

Anne Marsh

December 2016

Feature Articles

Issue 81

In this paper I want to look at a few case studies from recent Australian performance art, to examine the ways in which video performance is being presented and to look at several genres inside the medium. The...

American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

Woody Allen: Television as Crisis

“Everything about this film was tricky”: An interview with documentary filmmaker Eva Orner on Chasing Asylum

Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

This Is the Way the World Ends: The 10th Odesa Film Festival

22nd Revelation Perth Film Festival

Sharing My Journey: Women and the 2019 Toronto International Film Festival

Against the Practice of the Mild: The 53^rd San Francisco International Film Festival

This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

“Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

A School for Everyone. Alain Badiou’s Cinema

Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

“Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

Lucifer Rising

Fei Mu

Huston, John

Stone, Oliver

Klapisch, Cédric

Kurosawa, Akira

Author Anne Marsh

Anne Marsh

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists