Author Anne Marsh

Anne Marsh

Anne Marsh is Professorial Research Fellow at the Victorian College of the Arts, The University of Melbourne. Anne is author of Performance Ritual Document (Macmillan 2014), LOOK: Contemporary Australian Photography since 1980 (Macmillan 2010), Pat Brassington: This is Not a Photograph (Quintus/University of Tasmania, 2006), The Darkroom: Photography and the Theatre of Desire (Macmillan, 2003) and Body and Self: Performance Art in Australian, 1969-1992 (Oxford University Press,1993) which was recently revised and published as a kindle edition. Anne has published hundreds of essays, journal articles, exhibition catalogues and reviews. She was the Herald Sun art critic 1994-1997 and she has been the Melbourne contributing editor for Eyeline: Contemporary Visual Arts since 1997.

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists

Anne Marsh

December 2016

Feature Articles

Issue 81

In this paper I want to look at a few case studies from recent Australian performance art, to examine the ways in which video performance is being presented and to look at several genres inside the medium. The...

The 21st century plague: Cinema in the age of COVID-19

And Then We Danced: Queer sounds and movement

Salò, or the 120 Days of Sodom as Pasolini’s Film on Film

The Russian Doll and Skripov the Spy: ASIO’s Legal Resident (1963) and Peter Butt’s Final Rendezvous (2020)

Fortunate Sinners: Martin Koolhoven’s Brimstone as an ‘Edam’ Western

The Last Film Festival: the 2020 Berlinale

AFI/AFM 2010 – Places to Fly Away From

Pandemic Diary of a Lonely Cinephile: CPH:DOX 2020

Collective Heroes: Activism and Activation at the International Film Festival Rotterdam

Sundance/PAFF 2015: Vintage Years

The Big Goodbye: “Chinatown” and the Last Years of Hollywood, by Sam Wasson

Reading Film: Light into Ink: A Critical Survey of 50 Film Novelizations, by S. M. Guariento

A meet and happy conversation: Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema by Catherine Wheatley

The Past Is Not Even Past: Afterimages, by Laura Mulvey

Ici et ailleurs: Decentring France by Gemma King

Hard Labour: Cecil Holmes’s Captain Thunderbolt (1953)

Adrift in the Shadows of Fog: Forget Love for Now (Hiroshi Shimizu, 1937)

Kiss Me, Stupid (Billy Wilder, 1964)

A journey through 1930s Japan: Mr. Thank You (Hiroshi Shimizu, 1936)

Identity in Elia Kazan’s Splendor in the Grass

Wise, Robert

Fernández, Emilio “Indio”

Fei Mu

Huston, John

von Trotta, Margarethe

Author Anne Marsh

Anne Marsh

Body-Time: Rethinking the Radical Edge in Video Performance by Australian Women Artists