Browsing Author
anne-rutherford
Double Suicide and the “fetishism of space”
It is rare today to find a film as highly stylised as Shinju: Ten no amijima (Double Suicide) – especially one in which the stylisation
Precarious Boundaries: Affect, Mise en scène and the Senses in Angelopoulos’ Balkans Epic
A theoretical analysis of the affective force of mise en scène in Ulysses' Gaze – a “porous interface” between nations, between elements, between screen and
Cinema and Embodied Affect
Rutherford's essay explores the implications of an aesthetics of embodiment for film theory
Poetics and Politics in Garin Nugroho’s A Poet
Examining this intimate portrait of poet Ibrahim Kadir's experiences during the 1965 massacre
Arrested Motion: Leaps and Bounds in the Korean Detective Film
The stylish Korean film Nowhere To Hide bends genres and rules in an exhilarating fashion