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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Annie Berke
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Annie Berke
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Annie Berke
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Annie Berke
      October 2019
      Issue 92
    more articles...
    Random
    • A Tribute to Maria Schneider

      Annie Berke
      March 2011
      Feature Articles
      Issue 58
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Annie Berke
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Annie Berke
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Annie Berke
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Annie Berke
      October 2019
      Issue 92
    more articles...
    Random
    • Five Metaphors for a Film Festival: The 56th Sydney Film Festival

      Annie Berke
      December 2009
      Festival Reports
      Issue 53
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Annie Berke
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Annie Berke
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Annie Berke
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Annie Berke
      July 2019
      Issue 91
    more articles...
    Random
    • The End of Cinema

      Dead? Far From It: The End of Cinema?: A Medium in Crisis in the Digital Age by André Gaudreault and Philippe Marion

      Annie Berke
      September 2016
      Book Reviews
      Issue 80
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Annie Berke
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Annie Berke
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Annie Berke
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Annie Berke
      October 2019
      Issue 92
    more articles...
    Random
    • Dangerous Encounters – First Kind

      Annie Berke
      March 2011
      Cinémathèque Annotations on Film
      Issue 58
  • Great Directors
    Recent
    • Fei Mu

      Annie Berke
      October 2019
      Issue 92
    • Huston, John

      Annie Berke
      July 2019
      Issue 91
    • Stone, Oliver

      Annie Berke
      July 2019
      Issue 91
    • Klapisch, Cédric

      Annie Berke
      March 2019
      Issue 90
    more articles...
    Random
    • Hu, King

      Annie Berke
      July 2002
      Great Directors
      Issue 21
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Author Annie Berke

Annie Berke

Annie Berke is assistant professor of film at Hollins University and is working on a book about women television writers in 1950s America.

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The Case for Documentary: Full Frame 2018

Annie Berke
June 2018
Festival Reports
Issue 87
At the Full Frame Documentary Film Festival this year, the thematic program was “Crime + Punishment.” Curated by guest programmer and documentarian Joe Berlinger (Paradise Lost trilogy, Brother’s...
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Full Frame Film Festival

Annie Berke
June 2017
Festival Reports
Issue 83
My first time at Durham, North Carolina’s Full Frame Film Festival, a program dedicated to documentary media, I got lucky. “Ms. Berke, you are a lucky winner,” the note read, explaining that during my...

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