arthur-rankin
Identity in Elia Kazan’s Splendor in the Grass
Elia Kazan’s Splendor in the Grass (1961) concerns the problems encountered by two teenagers – Wilma Dean (“Deanie”) Loomis (Natalie Wood) and Bud Stamper (Warren
The Child Archetype in Ingmar Bergman’s Fanny and Alexander
Fanny and Alexander (1982 Sweden/France/West Germany 188 mins) Prod Co: Cinematograph Prod: Jörn Donner Dir, Scr: Ingmar Bergman Phot: Sven Nykvist Ed: Sylvia Ingemarsson Art
Power and the Mythic Gaze in Fritz Lang’s Dr. Mabuse, der Spieler
Dr. Mabuse, der Spieler (1922 Germany 270 mins) Prod Co: Uco-Film GmbH Prod: Erich Pommer Dir: Fritz Lang Scr: Thea von Harbou, based on the
Painterly Moments in Roman Polanski’s Tess
Tess (1979 France/UK 177 mins) Prod Co: Renn/Burrill Prod: Claude Berri Dir: Roman Polanski Scr: Roman Polanski, Gerard Brach, John Brownjohn based on the novel
Tendentious Innocence: Chaplin’s Use of Doubling in City Lights and The Idle Class
Insightful reading of Chaplin’s cinema in the light of Freud’s ideas in his Jokes and Their Relation to the Unconscious