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  • Features
    Recent
    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Beata Lukasiak
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Beata Lukasiak
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

      Beata Lukasiak
      March 2018
      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

      Beata Lukasiak
      March 2018
      Issue 86
    more articles...
    Random
    • Distruktur interview

      “Materials Have Memories”: An Interview with Melissa Dullius and Gustavo Jahn (Distruktur)

      Beata Lukasiak
      July 2016
      Feature Articles
      Issue 79
  • Festival Reports
    Recent
    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Beata Lukasiak
      March 2018
      Issue 86
    • AFI AFM 2017

      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Beata Lukasiak
      March 2018
      Issue 86
    • Ânûû-rû Âboro: The Festival of Peoples’ Cinema

      Beata Lukasiak
      March 2018
      Issue 86
    • A Tale of Two Festivals: International Film Festival of India and Experimenta

      Beata Lukasiak
      March 2018
      Issue 86
    more articles...
    Random
    • International Film Festival Rotterdam

      International Film Festival Rotterdam: Bread and Mirrors

      Beata Lukasiak
      March 2017
      Festival Reports
      Issue 82
  • Book Reviews
    Recent
    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Beata Lukasiak
      March 2018
      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Beata Lukasiak
      March 2018
      Issue 86
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Beata Lukasiak
      March 2018
      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

      Beata Lukasiak
      March 2018
      Issue 86
    more articles...
    Random
    • Outsider Documentary and the Technologically Mediated Self: Ferocious Reality by Eric Ames.

      Beata Lukasiak
      June 2013
      Book Reviews
      Issue 67
  • CTEQ
    Recent
    • Diary of a Chambermaid

      Diary of a Chambermaid

      Beata Lukasiak
      March 2018
      Issue 86
    • Les Amants

      Les Amants

      Beata Lukasiak
      March 2018
      Issue 86
    • bay of angels

      La Baie des Anges

      Beata Lukasiak
      March 2018
      Issue 86
    • Eva (Joseph Losey, 1962)

      Beata Lukasiak
      March 2018
      Issue 86
    more articles...
    Random
    • What is Said and Left Unsaid in Hou Hsiao-hsien’s Flowers of Shanghai

      Beata Lukasiak
      March 2012
      Cinémathèque Annotations on Film
      Issue 62
  • Great Directors
    Recent
    • Chantal Akerman

      Chantal Akerman

      Beata Lukasiak
      February 2018
      Issue 86
    • Sergei Eisenstein

      Sergei Eisenstein

      Beata Lukasiak
      December 2017
      Issue 85
    • Max Ophuls

      Max Ophuls

      Beata Lukasiak
      December 2017
      Issue 85
    • Lindsay Anderson

      Lindsay Anderson

      Beata Lukasiak
      December 2017
      Issue 85
    more articles...
    Random
    • Peter Bogdanovich

      Beata Lukasiak
      July 2004
      Great Directors
      Issue 32
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Author Beata Lukasiak

Beata Lukasiak

Beata Lukasiak is on the Melbourne Cinémathèque committee and has a postgraduate diploma in Cinema Studies from the University of Melbourne.

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The Host: The Monster Emerging From the han

Beata Lukasiak
September 2013
Cinémathèque Annotations on Film
Issue 68
“We Koreans were born from the womb of han, and brought up in the womb of han.” – Korean poet Ko Eun (1) Han is a distinctly Korean concept that pervades Korean life. Scholar Suh Nam-dong describes it...
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Fragmented Subjectivity and Narrative Deconstruction in Three Lives and Only One Death

Beata Lukasiak
August 2012
Cinémathèque Annotations on Film
Issue 64
“I think in any film worth seeing you should identify with the film itself, not with one of its characters.” – Raúl Ruiz (1) Throughout his prolific career, Chilean director Raúl Ruiz (1941-2011)...

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