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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Bérénice Reynaud
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Bérénice Reynaud
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Bérénice Reynaud
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Bérénice Reynaud
      December 2018
      Issue 89
    more articles...
    Random
    • Breathless (Godard, 1960)

      Le Goût du crime: Notes on Gangster Style in New-Wave Paris: Part I

      Bérénice Reynaud
      December 2017
      Feature Articles
      Issue 85
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Bérénice Reynaud
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Bérénice Reynaud
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Bérénice Reynaud
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Bérénice Reynaud
      December 2018
      Issue 89
    more articles...
    Random
    • Hawksian Girls Meet Weimar Cinema at 25th Cinema Ritrovato

      Bérénice Reynaud
      October 2011
      Festival Reports
      Issue 60
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Bérénice Reynaud
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Bérénice Reynaud
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Bérénice Reynaud
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Bérénice Reynaud
      December 2018
      Issue 89
    more articles...
    Random
    • The Philosophy of the Western edited by Jennifer L. McMahon and B. Steve Csaki

      Bérénice Reynaud
      June 2011
      Book Reviews
      Issue 59
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Bérénice Reynaud
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Bérénice Reynaud
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Bérénice Reynaud
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Bérénice Reynaud
      October 2018
      Issue 88
    more articles...
    Random
    • Combat - Survival

      Fever Dream: Combat! – “Survival” (Robert Altman, 1963)

      Bérénice Reynaud
      March 2016
      Cinémathèque Annotations on Film
      Issue 78
  • Great Directors
    Recent
    • Takahata, Isao

      Bérénice Reynaud
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Bérénice Reynaud
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Bérénice Reynaud
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Bérénice Reynaud
      October 2018
      Issue 88
    more articles...
    Random
    • Polonsky, Abraham

      Bérénice Reynaud
      April 2005
      Great Directors
      Issue 35
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Author Bérénice Reynaud

Bérénice Reynaud

Bérénice Reynaud is the author of New Chinas/New Cinemas (1999) and Hou Hsiao-hsien’s A City of Sadness (2002). She teaches at the California Institute of the Arts. She edited the Senses of Cinema dossier devoted to Chantal Akerman.

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Market, Ethics, Frontiers and Bamboo: The 27th Sundance Film Festival

Bérénice Reynaud
May 2008
Festival Reports
Issue 47
17–27 January 2008 Market The shadow of the seemingly never-ending writers strike was looming over Sundance this year (we didn’t yet know it would end just on time for the Oscars!), and, when we were...
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Nina Menkes: The Warrior and her Jiang Hu

Bérénice Reynaud
March 2008
Special Dossiers, Spotlight on Nina Menkes
Issue 46
An insightful analysis of Nina Menkes’ films and the many distinctive virtues they possess.
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Holding Up the Other Half of the Sky: The 26th Vancouver International Film Festival

Bérénice Reynaud
March 2008
Festival Reports
Issue 46
27 September-12 October 2007 The renewal of cinema sometimes comes from unexpected places. Who would have believed, a few years ago, in a Romanian cinema Renaissance? And yet, since Cristi Puíu’s...
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From One Red Balloon to the Next: The 2007 AFI Fest/American Film Market

Bérénice Reynaud
March 2008
Festival Reports
Issue 46
It is now a done deal: at the beginning of November, the American Film Institute Festival (1-11 November) and the American Film Market (31 October-7 November) are held quasi-simultaneously – one in...
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Unexpected Filiations: The 26th Sundance Film Festival

Bérénice Reynaud
May 2007
Festival Reports
Issue 43
January 18-28, 2007 In spite of a creeping feeling that Sundance 2007 was not a great vintage, there were some really good films – albeit sprinkled in different sections. The inaugural edition of...
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Inside and Outside: The 2006 AFI Fest/American Film Market

Bérénice Reynaud
May 2007
Festival Reports
Issue 43
November 1-12, 2006 The American Film Institute Festival (AFI), now with its twin shadow, the American Film Market (AFM), is a double-entry affair. On the one hand, it serves as a testing ground for...
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Elusive Reality: The 25th Vancouver International Film Festival

Bérénice Reynaud
February 2007
Festival Reports
Issue 42 Issue 42
28 September–13 October 2006 The jury is still out whether cinema is a “window to the world” – yet “masking” it rather than “framing” it (André Bazin) – or if it is made of...
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Gender Trouble: The 25th Sundance Film Festival

Bérénice Reynaud
May 2006
Festival Reports
Issue 39
January 19–29, 2006 One of the coldest festivals in recent memory, the 2006 edition left most of us with a bittersweet taste. There were some nice films, but nothing truly exceptional in the Dramatic...
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Of Markets and Men: AFI Los Angeles International Film Festival and American Film Market (AFM)

Bérénice Reynaud
May 2006
Festival Reports
Issue 39
AFI Los Angeles International Film Festival November 3–13, 2005 American Film Market (AFM) November 2–9, 2005 Berlin and Cannes have markets unfolding concurrently with the official selection;...
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Deux Fois: Some Thoughts on the 24th Vancouver International Film Festival

Bérénice Reynaud
February 2006
Festival Reports
Issue 38
September 29–October 14, 2005 Cinema is still a young art compared to the first six – yet it is not exempt from a certain lassitude. There is no image that hasn’t been shown already, no sunset...
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Shades of Globalisation: The 24th Sundance Film Festival

Bérénice Reynaud
April 2005
Festival Reports
Issue 35
January 20–30, 2005 It is nobody's secret. Sundance 2005 was an honest year, but not a great one. The most salient feature was the decision to organise a competition for international features and...
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Cinema For/Against the Lure of Images: The 23rd Vancouver International Film Festival

Bérénice Reynaud
February 2005
Festival Reports
Issue 34
September 23–October 8, 2004 A few years ago, one of my then-colleagues at Cahiers du cinéma, Marc Chevry, launched a stimulating series of articles reflecting on the nature of cinema, titled “Le...
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