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	<title>Senses of Cinema &#187; Bill Mousoulis</title>
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	<description>Issue 62</description>
	<lastBuildDate>Thu, 26 Apr 2012 03:22:25 +0000</lastBuildDate>
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		<title>The Tree of Cinema: The 46th Karlovy Vary International Film Festival</title>
		<link>http://sensesofcinema.com/2011/festival-reports/the-tree-of-cinema-the-46th-karlovy-vary-international-film-festival/</link>
		<comments>http://sensesofcinema.com/2011/festival-reports/the-tree-of-cinema-the-46th-karlovy-vary-international-film-festival/#comments</comments>
		<pubDate>Fri, 07 Oct 2011 10:46:32 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 60]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=9424</guid>
		<description><![CDATA[In any good film festival, one’s life flashes before one’s eyes. And the history of cinema. Karlovy Vary International Film Festival (KVIFF) is a good film festival. It is big enough to encompass a variety of things, both good and bad: some glitz, numerous middling new films, latest works from recognised auteurs, and a number ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Last Year’s Revolutions: The 51st Thessaloniki International Film Festival</title>
		<link>http://sensesofcinema.com/2011/festival-reports/last-year%e2%80%99s-revolutions-the-51st-thessaloniki-international-film-festival/</link>
		<comments>http://sensesofcinema.com/2011/festival-reports/last-year%e2%80%99s-revolutions-the-51st-thessaloniki-international-film-festival/#comments</comments>
		<pubDate>Sun, 13 Mar 2011 13:33:43 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 58]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4802</guid>
		<description><![CDATA[It’s not easy being Greek. As an outsider, I can see it in their faces, faces etched with struggle, pain, desire, hope. Of course, this is a cinematic panoply in itself, a drama “behind the scenes” playing out in various configurations, in a setting that is a veritable hotbed of forces (see Petro Alexiou’s report ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Black Hole in the Summer Carnival: The 45th Karlovy Vary International Film Festival</title>
		<link>http://sensesofcinema.com/2010/festival-reports/the-black-hole-in-the-summer-carnival-the-45th-karlovy-vary-international-film-festival/</link>
		<comments>http://sensesofcinema.com/2010/festival-reports/the-black-hole-in-the-summer-carnival-the-45th-karlovy-vary-international-film-festival/#comments</comments>
		<pubDate>Mon, 11 Oct 2010 11:27:21 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 56]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3396</guid>
		<description><![CDATA[My first visit to this festival, I found the spa town setting most uninspiring: it was like a summer carnival – a river, food stalls, a rock stage, a techno tent, kids with balloons, teenage girls in shorts. I’m used to my festivals in cold urban settings! So it was a relief on most days ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Now and Then, Now and Again: The 50th Thessaloniki International Film Festival and the 15th Athens International Film Festival</title>
		<link>http://sensesofcinema.com/2009/festival-reports/now-and-then-now-and-again-the-50th-thessaloniki-international-film-festival-and-the-15th-athens-international-film-festival/</link>
		<comments>http://sensesofcinema.com/2009/festival-reports/now-and-then-now-and-again-the-50th-thessaloniki-international-film-festival-and-the-15th-athens-international-film-festival/#comments</comments>
		<pubDate>Mon, 28 Dec 2009 07:17:51 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 53]]></category>
		<category><![CDATA[Athens International Film Festival]]></category>
		<category><![CDATA[Thessaloniki International Film Festival]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=351</guid>
		<description><![CDATA[Late 1960, Northern Greece: the Thessaloniki Film Festival is launched, and my father, aged 27, emigrates to Australia. Late 2009: the Thessaloniki festival celebrates its 50th edition, and I re-locate from Australia to Greece. As a cinephile living in Melbourne, for years I was enamoured with European film culture and festivals such as Cannes and ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Relative, But Also Absolute: The 53rd Sydney Film Festival</title>
		<link>http://sensesofcinema.com/2006/festival-reports/sydney-ff-2006/</link>
		<comments>http://sensesofcinema.com/2006/festival-reports/sydney-ff-2006/#comments</comments>
		<pubDate>Sun, 05 Nov 2006 22:18:29 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 41]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2081</guid>
		<description><![CDATA[9–25 June, 2006 Whether the glass is half-empty or half-full, let us be thankful that we can still drink. But let us also prod the barkeep to serve it up better next time. As a Melbournite, I cannot help but constantly compare the Sydney film festival to the Melbourne one. And it practically is “half” ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2006/festival-reports/sydney-ff-2006/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Looking Both Ways: The 54th Melbourne International Film Festival</title>
		<link>http://sensesofcinema.com/2005/festival-reports/miff2005/</link>
		<comments>http://sensesofcinema.com/2005/festival-reports/miff2005/#comments</comments>
		<pubDate>Thu, 20 Oct 2005 18:38:00 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 37]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3462</guid>
		<description><![CDATA[July 20–August 7, 2005 Question: Why did the film festival cross the road? Answer: Because it didn&#8217;t know how to go either left or right. In her report on the 52nd Melbourne International Film Festival two years back, Michelle Carey suggested that, for the future, MIFF “needs to trim the fat and truly think about ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2005/festival-reports/miff2005/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dreams for Australian Cinema</title>
		<link>http://sensesofcinema.com/2005/feature-articles/dreams_australian_cinema/</link>
		<comments>http://sensesofcinema.com/2005/feature-articles/dreams_australian_cinema/#comments</comments>
		<pubDate>Fri, 22 Jul 2005 00:08:00 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 36]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3341</guid>
		<description><![CDATA[What ails thee? A perennial question asked of Australian cinema. Independent filmmaker Bill Mousoulis submits his diagnosis]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>49th Sydney Film Festival – A Report</title>
		<link>http://sensesofcinema.com/2002/festival-reports/sydney/</link>
		<comments>http://sensesofcinema.com/2002/festival-reports/sydney/#comments</comments>
		<pubDate>Fri, 19 Jul 2002 19:06:20 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 21]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4328</guid>
		<description><![CDATA[June 7-21, 2002 For a list of the Festival&#8217;s award winners, click here. Curiously, the Sydney Film Festival has not spliced the word &#8216;International&#8217; into its official designation, as have other Australian and overseas festivals in the last 15 years. For all intents and purposes, however, the Festival very much conforms to an international festival ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2002/festival-reports/sydney/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Unseen Cinema: An Interview with Bruce Posner</title>
		<link>http://sensesofcinema.com/2002/festival-reports/posner/</link>
		<comments>http://sensesofcinema.com/2002/festival-reports/posner/#comments</comments>
		<pubDate>Fri, 19 Jul 2002 19:06:20 +0000</pubDate>
		<dc:creator>John Conomos</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 21]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4326</guid>
		<description><![CDATA[This interview was conducted on June 18, 2002. One of the two outstanding hallmark programs of this year&#8217;s Sydney Film Festival was, besides the extraordinary unforgettable Jean Eustache films, “Unseen Cinema: Early American Avant Garde Film 1893 –1941”. This four-part program (originally consisting of 20) was curated by the film archivist, curator and filmmaker Bruce Posner ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2002/festival-reports/posner/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The World of Robert Guédiguian</title>
		<link>http://sensesofcinema.com/2001/feature-articles/guediguian/</link>
		<comments>http://sensesofcinema.com/2001/feature-articles/guediguian/#comments</comments>
		<pubDate>Thu, 09 Jun 2011 10:56:30 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 17]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=6367</guid>
		<description><![CDATA[An illuminating overview of Guédiguian's last five films followed by an interview]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2001/feature-articles/guediguian/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Show Me Love</title>
		<link>http://sensesofcinema.com/2000/11/show/</link>
		<comments>http://sensesofcinema.com/2000/11/show/#comments</comments>
		<pubDate>Thu, 28 Dec 2000 12:00:00 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Current Releases]]></category>
		<category><![CDATA[Issue 11]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=6907</guid>
		<description><![CDATA[In one way or another, most teen stories are about what cultural theorists call the liminal experience: that intense, suspended moment between yesterday and tomorrow, between childhood and adulthood, between being a nobody and a somebody, when everything is in question, and anything is possible. - Adrian Martin (1) Especially for Hollywood, it is only ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sweetness and Light: À la place du coeur</title>
		<link>http://sensesofcinema.com/2000/9/place/</link>
		<comments>http://sensesofcinema.com/2000/9/place/#comments</comments>
		<pubDate>Tue, 12 Sep 2000 11:00:00 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Current Releases]]></category>
		<category><![CDATA[Issue 9]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=7123</guid>
		<description><![CDATA[(Robert Guédiguian, 1998) This unassuming film has reservoirs of riches that have transfixed me three times now. I saw it initially at last year&#8217;s Melbourne International Film Festival, and was immediately surprised and delighted by its sweetness and simplicity. A second viewing confirmed my feelings, but left me with doubts about its form. Now, third ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Angelopoulos&#8217; Gaze</title>
		<link>http://sensesofcinema.com/2000/9/angelopoulos-2/</link>
		<comments>http://sensesofcinema.com/2000/9/angelopoulos-2/#comments</comments>
		<pubDate>Tue, 12 Sep 2000 11:00:00 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Greek Cinema - Past and Present]]></category>
		<category><![CDATA[Issue 9]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=7079</guid>
		<description><![CDATA[Some thoughts on one of the world's great film visionaries]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2000/9/angelopoulos-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chinese Film Festival</title>
		<link>http://sensesofcinema.com/2000/festival-reports/chinese/</link>
		<comments>http://sensesofcinema.com/2000/festival-reports/chinese/#comments</comments>
		<pubDate>Thu, 09 Jun 2011 11:39:26 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 8]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=6083</guid>
		<description><![CDATA[Following on from the French Film Festival held at the same venue (Como Cinema, Melbourne) a couple of months back, this Chinese Film Festival was presented. It seems to now be a growing trend, having these festivals of national cinemas. This festival attracted modest crowds, and the brochure presentation was not up to par (the ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>(An Outsider&#8217;s) Overview: 47th Sydney Film Festival</title>
		<link>http://sensesofcinema.com/2000/festival-reports/sffoverview/</link>
		<comments>http://sensesofcinema.com/2000/festival-reports/sffoverview/#comments</comments>
		<pubDate>Thu, 09 Jun 2011 11:39:20 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 8]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=6080</guid>
		<description><![CDATA[Filmspeak The Films &#8211; Alan Clarke Retrospective The Films &#8211; Main Programme This year&#8217;s 2000 (as opposed to &#8220;47th&#8221;, according to most flyers, programmes, etc.) Sydney Film Festival took place between June 9-23. I attended from Melbourne, catching eight days (June 13-20) of the event. I&#8217;ve experienced the Sydney Film Festival (SFF) on only one ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Unbearable Lightness of Being: Wonderland</title>
		<link>http://sensesofcinema.com/2000/7/wonderland/</link>
		<comments>http://sensesofcinema.com/2000/7/wonderland/#comments</comments>
		<pubDate>Wed, 07 Jun 2000 11:00:00 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Current Releases]]></category>
		<category><![CDATA[Issue 7]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=7206</guid>
		<description><![CDATA[This gritty British film is surprisingly light and enchanting]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Taking Leave: A Film Ends</title>
		<link>http://sensesofcinema.com/2000/feature-articles/leave/</link>
		<comments>http://sensesofcinema.com/2000/feature-articles/leave/#comments</comments>
		<pubDate>Thu, 09 Jun 2011 11:43:04 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 7]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=7197</guid>
		<description><![CDATA[What happens when a film's end credits roll]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Throw Away Your Books: Japanese Cinema</title>
		<link>http://sensesofcinema.com/2000/7/asian-cinema/japanese/</link>
		<comments>http://sensesofcinema.com/2000/7/asian-cinema/japanese/#comments</comments>
		<pubDate>Wed, 07 Jun 2000 11:00:00 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[Issue 7]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=7191</guid>
		<description><![CDATA[A tribute to the many glorious Japanese films that have been made over the years]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2000/7/asian-cinema/japanese/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Preview &#8211; 47th Sydney Film Festival</title>
		<link>http://sensesofcinema.com/2000/festival-reports/sydney-2/</link>
		<comments>http://sensesofcinema.com/2000/festival-reports/sydney-2/#comments</comments>
		<pubDate>Thu, 09 Jun 2011 11:43:03 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 7]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=6150</guid>
		<description><![CDATA[June 9 &#8211; 23, 2000 As I write this, the Sydney Film Festival is a few days away from beginning. I have managed to catch one of the films to play at it, and here are my quick impressions of it: Away With Words    Dir: Christopher Doyle  Hong Kong/Japan   90 mins Well, I guess if ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Au Hasard, Balthazar and Mouchette</title>
		<link>http://sensesofcinema.com/2000/cteq/balthazar/</link>
		<comments>http://sensesofcinema.com/2000/cteq/balthazar/#comments</comments>
		<pubDate>Wed, 07 Jun 2000 11:00:00 +0000</pubDate>
		<dc:creator>Bill Mousoulis</dc:creator>
				<category><![CDATA[Cinémathèque Annotations on Film]]></category>
		<category><![CDATA[Issue 61]]></category>
		<category><![CDATA[Issue 62]]></category>
		<category><![CDATA[Issue 7]]></category>
		<category><![CDATA[Robert Bresson]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=5586</guid>
		<description><![CDATA[A discussion of these two Bresson films]]></description>
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