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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Carolyn Elerding
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Carolyn Elerding
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Carolyn Elerding
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Carolyn Elerding
      December 2018
      Issue 89
    more articles...
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    • Following The Law of One’s Own Being: The Crying Woman in The Green Ray

      Carolyn Elerding
      April 2010
      Eric Rohmer Dossier, Feature Articles, Special Dossiers
      Issue 54
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Carolyn Elerding
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Carolyn Elerding
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Carolyn Elerding
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Carolyn Elerding
      December 2018
      Issue 89
    more articles...
    Random
    • Model Shop

      A Model Shop for Retrieved Cinema: The 27th Cinema Ritrovato

      Carolyn Elerding
      September 2013
      Festival Reports
      Issue 68
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Carolyn Elerding
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Carolyn Elerding
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Carolyn Elerding
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Carolyn Elerding
      December 2018
      Issue 89
    more articles...
    Random
    • Angela Dalle Vacche (ed), Film, Art, New Media: Museum without Walls?

      Carolyn Elerding
      March 2013
      Book Reviews
      Issue 66
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Carolyn Elerding
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Carolyn Elerding
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Carolyn Elerding
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Carolyn Elerding
      October 2018
      Issue 88
    more articles...
    Random
    • True Grit

      Straight Shooting: Joel and Ethan Coen’s True Grit (2010)

      Carolyn Elerding
      March 2017
      Cinémathèque Annotations on Film
      Issue 82
  • Great Directors
    Recent
    • Takahata, Isao

      Carolyn Elerding
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Carolyn Elerding
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Carolyn Elerding
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Carolyn Elerding
      October 2018
      Issue 88
    more articles...
    Random
    • Loach, Ken

      Carolyn Elerding
      December 2003
      Great Directors
      Issue 29
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Author Carolyn Elerding

Carolyn Elerding

Carolyn Elerding is a doctoral student in comparative studies at Ohio State University. She has earned music degrees from the University of Denver and the University of Minnesota, as well as a graduate minor in comparative studies from the University of Minnesota. Her research interests include cinema, media, technology, music, sound, cultural theory, and philosophy.

thumb image

Outsider Documentary and the Technologically Mediated Self: Ferocious Reality by Eric Ames.

Carolyn Elerding
June 2013
Book Reviews
Issue 67
With Ferocious Reality, Eric Ames makes a valuable contribution to the literature on documentary, offering a thoughtful and philosophically adept analytical approach and elucidating it with clarity and...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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