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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Chris Darke
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Chris Darke
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Chris Darke
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Chris Darke
      December 2018
      Issue 89
    more articles...
    Random
    • Adieu, Eric Rohmer

      Chris Darke
      April 2010
      Eric Rohmer Dossier, Feature Articles, Special Dossiers
      Issue 54
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Chris Darke
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Chris Darke
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Chris Darke
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Chris Darke
      December 2018
      Issue 89
    more articles...
    Random
    • Vancouver 2018 – Not-so-strange Bedfellows

      Chris Darke
      December 2018
      Festival Reports
      Issue 89
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Chris Darke
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Chris Darke
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Chris Darke
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Chris Darke
      December 2018
      Issue 89
    more articles...
    Random
    • Millennial Cinema: Memory in Global Film. Ed. Amresh Sinha and Terence McSweeney.

      Chris Darke
      March 2014
      Book Reviews
      Issue 70
  • CTEQ
    Recent
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Chris Darke
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Chris Darke
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Chris Darke
      October 2018
      Issue 88
    • A City in Transition in Taipei Story (Edward Yang, 1985)

      Chris Darke
      October 2018
      Issue 88
    more articles...
    Random
    • Senso

      Chris Darke
      March 2011
      Cinémathèque Annotations on Film
      Issue 58
  • Great Directors
    Recent
    • Takahata, Isao

      Chris Darke
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Chris Darke
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Chris Darke
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Chris Darke
      October 2018
      Issue 88
    more articles...
    Random
    • Lang, Fritz

      Chris Darke
      October 2002
      Great Directors
      Issue 22
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Author Chris Darke

Chris Darke

Chris Darke is a regular contributor to Sight and Sound, Film Comment, mute, and The Independent, a screenwriter and cinema programmer. His most recent book is Light Readings ? Film Criticism and Screen Arts (London: Wallflower, 2000).

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Letter from London

Chris Darke
March 2003
Feature Articles
Issue 25
Part of a series of Letters commissioned by Trafic about national cinemas around the world, Chris Darke's contribution considers the UK's culture of surveillance.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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