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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Christian Checa Bañuz
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Christian Checa Bañuz
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Christian Checa Bañuz
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Christian Checa Bañuz
      October 2019
      Issue 92
    more articles...
    Random
    • Either and Or: On Terrence Malick's Tree of Life

      Christian Checa Bañuz
      October 2011
      Feature Articles
      Issue 60
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Christian Checa Bañuz
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Christian Checa Bañuz
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Christian Checa Bañuz
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Christian Checa Bañuz
      October 2019
      Issue 92
    more articles...
    Random
    • Hillywood 2009: The 5th Rwanda Film Festival

      Christian Checa Bañuz
      September 2009
      Festival Reports
      Issue 52
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Christian Checa Bañuz
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Christian Checa Bañuz
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Christian Checa Bañuz
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Christian Checa Bañuz
      July 2019
      Issue 91
    more articles...
    Random
    • Nollywood: The Video Phenomenon in Nigeria edited by Pierre Barrot translated by Lynn Taylor

      Christian Checa Bañuz
      December 2009
      Book Reviews
      Issue 53
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Christian Checa Bañuz
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Christian Checa Bañuz
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Christian Checa Bañuz
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Christian Checa Bañuz
      October 2019
      Issue 92
    more articles...
    Random
    • After Hours

      Christian Checa Bañuz
      April 2010
      Cinémathèque Annotations on Film
      Issue 54
  • Great Directors
    Recent
    • Fei Mu

      Christian Checa Bañuz
      October 2019
      Issue 92
    • Huston, John

      Christian Checa Bañuz
      July 2019
      Issue 91
    • Stone, Oliver

      Christian Checa Bañuz
      July 2019
      Issue 91
    • Klapisch, Cédric

      Christian Checa Bañuz
      March 2019
      Issue 90
    more articles...
    Random
    • Romero, George A.

      Christian Checa Bañuz
      February 2007
      Great Directors
      Issue 42
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Author Christian Checa Bañuz

Christian Checa Bañuz

Christian Checa Bañuz is a recent graduate from the School of Film and Audiovisual of Catalonia, Spain, and is currently studying Philosophy at the University of Barcelona, where he also endeavours to carry out his filmmaking experiences.

thumb image

Carax, Leos

Christian Checa Bañuz
November 2006
Great Directors
Issue 41
b. Alexandre Oscar Dupont b. 22 November, 1960, Suresnes, France Filmography Select Bibliography Articles in Senses Web Resources This article also appears in Spanish in the October 2006 edition...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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