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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Christophe Bourseiller
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Christophe Bourseiller
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Christophe Bourseiller
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Christophe Bourseiller
      October 2019
      Issue 92
    more articles...
    Random
    • Harun Farocki

      “Keep the horizon open”: An Interview with Harun Farocki

      Christophe Bourseiller
      July 2016
      Feature Articles
      Issue 79
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Christophe Bourseiller
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Christophe Bourseiller
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Christophe Bourseiller
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Christophe Bourseiller
      October 2019
      Issue 92
    more articles...
    Random
    • Naked Ambition: The 14th Shanghai International Film Festival 2011

      Christophe Bourseiller
      October 2011
      Festival Reports
      Issue 60
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Christophe Bourseiller
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Christophe Bourseiller
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Christophe Bourseiller
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Christophe Bourseiller
      July 2019
      Issue 91
    more articles...
    Random
    • The Horror Sensorium by Angela Ndalianis

      Christophe Bourseiller
      December 2013
      Book Reviews
      Issue 69
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Christophe Bourseiller
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Christophe Bourseiller
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Christophe Bourseiller
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Christophe Bourseiller
      October 2019
      Issue 92
    more articles...
    Random
    • Lola

      Christophe Bourseiller
      April 2010
      Cinémathèque Annotations on Film
      Issue 54
  • Great Directors
    Recent
    • Fei Mu

      Christophe Bourseiller
      October 2019
      Issue 92
    • Huston, John

      Christophe Bourseiller
      July 2019
      Issue 91
    • Stone, Oliver

      Christophe Bourseiller
      July 2019
      Issue 91
    • Klapisch, Cédric

      Christophe Bourseiller
      March 2019
      Issue 90
    more articles...
    Random
    • Solanas, Fernando

      Christophe Bourseiller
      July 2010
      Great Directors
      Issue 55
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Author Christophe Bourseiller

Christophe Bourseiller

Christophe Bourseiller appeared as a child actor in Godard’s Une femme mariée, 2 ou 3 choses que je sais d’elle, and Week End. His is the author of many books including L’Aventure moderne (2006) and Les Maoïstes: La folle histoire des gardes rouges français (2008).

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Excerpts from L’Aventure moderne

Christophe Bourseiller
August 2008
Before the Revolution
Issue 48
Some salient passages from Christophe Bourseiller’s memoirs on growing up in the 1960s. Christophe is one-time child actor for Godard, Maoist and Situationist.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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