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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Conor Bateman
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Conor Bateman
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Conor Bateman
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Conor Bateman
      December 2018
      Issue 89
    more articles...
    Random
    • Story of Home: The Paternal Legacy of Black Panther

      Conor Bateman
      October 2018
      Feature Articles
      Issue 88
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Conor Bateman
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Conor Bateman
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Conor Bateman
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Conor Bateman
      December 2018
      Issue 89
    more articles...
    Random
    • Random Talking Points: The 63rd Cannes Film Festival 2010

      Conor Bateman
      July 2010
      Festival Reports
      Issue 55
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Conor Bateman
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Conor Bateman
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Conor Bateman
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Conor Bateman
      December 2018
      Issue 89
    more articles...
    Random
    • Humphrey Jennings by Keith Beattie

      Conor Bateman
      December 2010
      Book Reviews
      Issue 57
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Conor Bateman
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Conor Bateman
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Conor Bateman
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Conor Bateman
      October 2018
      Issue 88
    more articles...
    Random
    • Interface

      Repeat, Develop, Adapt: Harun Farocki’s Interface (1995)

      Conor Bateman
      September 2016
      Cinémathèque Annotations on Film
      Issue 80
  • Great Directors
    Recent
    • Takahata, Isao

      Conor Bateman
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Conor Bateman
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Conor Bateman
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Conor Bateman
      October 2018
      Issue 88
    more articles...
    Random
    • Hodges, Mike

      Conor Bateman
      July 2006
      Great Directors
      Issue 40
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Author Conor Bateman

Conor Bateman

Conor Bateman is the managing editor of 4:3, an independent film website with a focus on festival coverage and in-depth interviews. He is also a freelance writer and video essayist, with work published in Fandor Keyframe, The Lifted Brow and Empire Magazine.

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Get Out of the Car (Thom Andersen, 2010)

Conor Bateman
March 2018
Cinémathèque Annotations on Film
Issue 86
They say we are living in a time of the eternal present, that has no sense of the past and no sense of the future. There is some truth to that.” - Thom Andersen When driving down Dudley Street in the...
thumb image

Repeat, Develop, Adapt: Harun Farocki’s Interface (1995)

Conor Bateman
September 2016
Cinémathèque Annotations on Film
Issue 80
1. Throughout his work, the late German filmmaker/artist Harun Farocki was fascinated by what he termed “operational images”. Operational images are those captured for a non-artistic, clinical purpose –...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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