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constantin-parvulescu
Milos Forman’s Loves of a Blonde: Pop Culture, Rebellion and Sexual Liberation in the Eastern European Bloc
Lásky jedné plavovlásky (Loves of a Blonde) is a hybrid film. It brilliantly walks the thin line between bitter and sweet, between understated tragic situations
The Machine that Kills Bad People
La macchina ammazzacattivi/The Machine that Kills Bad People/The Machine to Kill Bad People (1948/1952 Italy 83 mins) Prod Co: Universalia/Tevere Film Prod: Salvo D’Angelo Dir: Roberto
Gleaming Faces, Dark Realities: Dušan Makavejev’s Man Is Not a Bird and the Representation of the Working Class after Socialist Realism
Penetrating analysis of Dušan Makavejev’s 1965 first feature film in the light of its critique of the social realist æsthetic and Communist ideology of the