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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Damien Spiccia
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Damien Spiccia
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Damien Spiccia
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Damien Spiccia
      October 2019
      Issue 92
    more articles...
    Random
    • The Adaptation and the Remake: From John M. Stahl’s When Tomorrow Comes to Douglas Sirk’s Interlude

      Damien Spiccia
      March 2014
      Feature Articles
      Issue 70
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Damien Spiccia
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Damien Spiccia
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Damien Spiccia
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Damien Spiccia
      October 2019
      Issue 92
    more articles...
    Random
    • Tricky Women/Tricky Realities and the Body Politic

      Damien Spiccia
      July 2019
      Festival Reports
      Issue 91
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Damien Spiccia
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Damien Spiccia
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Damien Spiccia
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Damien Spiccia
      July 2019
      Issue 91
    more articles...
    Random
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Damien Spiccia
      March 2018
      Book Reviews
      Issue 86
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Damien Spiccia
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Damien Spiccia
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Damien Spiccia
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Damien Spiccia
      October 2019
      Issue 92
    more articles...
    Random
    • After Life

      How Film Remembers: After Life (Hirokazu Koreeda, 1998)

      Damien Spiccia
      June 2017
      Cinémathèque Annotations on Film
      Issue 83
  • Great Directors
    Recent
    • Fei Mu

      Damien Spiccia
      October 2019
      Issue 92
    • Huston, John

      Damien Spiccia
      July 2019
      Issue 91
    • Stone, Oliver

      Damien Spiccia
      July 2019
      Issue 91
    • Klapisch, Cédric

      Damien Spiccia
      March 2019
      Issue 90
    more articles...
    Random
    • Pelechian, Artavazd

      Damien Spiccia
      March 2012
      Great Directors
      Issue 62
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Author Damien Spiccia

Damien Spiccia

Damien Spiccia is a filmmaker and cinéphile currently based in Perth, Western Australia.

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Standing on the Edge: The 15th Revelation Perth International Film Festival

Damien Spiccia
August 2012
Festival Reports
Issue 64
The Revelation Perth International Film Festival, in its fifteenth year, sixth at the Astor Theatre, and fifth with a program selected by Jack Sargeant, returned to Perth with the familiarity of an old friend....
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In the Company of Misfits: The 14th Revelation International Film Festival

Damien Spiccia
December 2011
Festival Reports
Issue 61
Despite a diverse line-up, the 14th Revelation International Film Festival will doubtlessly be remembered as the year of David (Stratton) and Margaret (Pomeranz). The presence of such iconic Oz film royalty in...
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Tweets in the Dark: The 13th Revelation Perth International Film Festival

Damien Spiccia
October 2010
Festival Reports
Issue 56
During his opening night address that officially set this year’s Revelation in motion, festival chairman Richard Sowada informed the packed auditorium that film was in fact just a small part of the festival,...
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Nightmares & Wonders: The Necessity of Revelation: The 12th Revelation Perth International Film Festival

Damien Spiccia
September 2009
Festival Reports
Issue 52

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