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	<title>Senses of Cinema &#187; Daniel Fairfax</title>
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	<link>http://sensesofcinema.com</link>
	<description>Issue 62</description>
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		<title>“Yes, we were utopians; in a way, I still am&#8230;”: An Interview with Jean-Louis Comolli (Part 1)</title>
		<link>http://sensesofcinema.com/2012/feature-articles/yes-we-were-utopians-in-a-way-i-still-am-an-interview-with-jean-louis-comolli-part-1/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/yes-we-were-utopians-in-a-way-i-still-am-an-interview-with-jean-louis-comolli-part-1/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 20:12:06 +0000</pubDate>
		<dc:creator>Daniel Fairfax</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 62]]></category>
		<category><![CDATA[featured]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10967</guid>
		<description><![CDATA[In depth interview with one of the seminal figures in the emergence of a Marxist/Althusserian oriented film theory. In this first of a two-part interview, to be published over two issues, Comolli discusses the “Cahiers years” between 1965 and ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>“The Cinema Leads Me There”: the 41st International Film Festival Rotterdam</title>
		<link>http://sensesofcinema.com/2012/festival-reports/%e2%80%9cthe-cinema-leads-me-there%e2%80%9d-the-41st-international-film-festival-rotterdam/</link>
		<comments>http://sensesofcinema.com/2012/festival-reports/%e2%80%9cthe-cinema-leads-me-there%e2%80%9d-the-41st-international-film-festival-rotterdam/#comments</comments>
		<pubDate>Sun, 18 Mar 2012 06:55:10 +0000</pubDate>
		<dc:creator>Daniel Fairfax</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 62]]></category>
		<category><![CDATA[issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10789</guid>
		<description><![CDATA[Ugly city, beautiful cinema. It strikes me that the world’s major film festivals are opposed in nature to the cities that host them. Take Berlin. The city is an epicentre of alternative subcultures, artistic avant-gardes and political contestation, and yet its festival is, for the most part, a tame and tepid affair, seemingly focused more ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Artavazd Pelechian</title>
		<link>http://sensesofcinema.com/2012/great-directors/artavazd-pelechian/</link>
		<comments>http://sensesofcinema.com/2012/great-directors/artavazd-pelechian/#comments</comments>
		<pubDate>Sun, 18 Mar 2012 06:08:35 +0000</pubDate>
		<dc:creator>Daniel Fairfax</dc:creator>
				<category><![CDATA[Great Directors]]></category>
		<category><![CDATA[Issue 62]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10860</guid>
		<description><![CDATA[b. Feb 22, 1938, Leninakin (now Gyumri), Armenia. 1. In film festivals, cinémathèques, galleries and conferences around the world, the same scene plays itself over and over. Two film-lovers will be engaged in conversation, extolling their favoured films and filmmakers, when one, as casually as possible, with only a slight pause or sudden inflection in ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Jacques Rivette by Douglas Morrey and Alison Smith</title>
		<link>http://sensesofcinema.com/2011/book-reviews/jacques-rivette-by-douglas-morrey-and-alison-smith/</link>
		<comments>http://sensesofcinema.com/2011/book-reviews/jacques-rivette-by-douglas-morrey-and-alison-smith/#comments</comments>
		<pubDate>Fri, 07 Oct 2011 10:40:18 +0000</pubDate>
		<dc:creator>Daniel Fairfax</dc:creator>
				<category><![CDATA[Book Reviews]]></category>
		<category><![CDATA[Issue 60]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=9406</guid>
		<description><![CDATA[Jacques Rivette: Phantom of the Cinema could well be an alternative title for this book, the long overdue first English-language monograph on the enigmatic French director. Seldom in the history of the cinema has there been such a crying disparity between the frequency with which a filmmaker’s name has been invoked and the rarity of ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>“An exceptional forum to defend freedom of expression”: The 64th Cannes Film Festival</title>
		<link>http://sensesofcinema.com/2011/festival-reports/%e2%80%9can-exceptional-forum-to-defend-freedom-of-expression%e2%80%9d-the-64th-cannes-film-festival/</link>
		<comments>http://sensesofcinema.com/2011/festival-reports/%e2%80%9can-exceptional-forum-to-defend-freedom-of-expression%e2%80%9d-the-64th-cannes-film-festival/#comments</comments>
		<pubDate>Thu, 23 Jun 2011 14:53:45 +0000</pubDate>
		<dc:creator>Daniel Fairfax</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 59]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=8849</guid>
		<description><![CDATA[Stepping off the TGV at Cannes-Ville railway station, and onto the Rue Jean-Jaurès early on a Wednesday afternoon, the sentiment becomes palpable. The heaving throng of people being disgorged from the station exits, unceremoniously battling each other to get through to the street, the signs held up for arriving minor celebrities, with limos in abeyance ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Film, Theory and Philosophy: The Key Thinkers edited by Felicity Colman</title>
		<link>http://sensesofcinema.com/2010/book-reviews/film-theory-and-philosophy-the-key-thinkers-edited-by-felicity-colman/</link>
		<comments>http://sensesofcinema.com/2010/book-reviews/film-theory-and-philosophy-the-key-thinkers-edited-by-felicity-colman/#comments</comments>
		<pubDate>Mon, 20 Dec 2010 09:38:18 +0000</pubDate>
		<dc:creator>Daniel Fairfax</dc:creator>
				<category><![CDATA[Book Reviews]]></category>
		<category><![CDATA[Issue 57]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=4681</guid>
		<description><![CDATA[In terms of theoretical scope, the book I currently hold in my hands could hardly be more comprehensive; in terms of ambition, it could hardly be more colossal. With Film, Theory and Philosophy: The Key Thinkers, editor Felicity Colman has mustered a clutch of figures from the academy to gloss the contributions of 32 of ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>A Double World of Undigested Memory: The 57th Sydney Film Festival</title>
		<link>http://sensesofcinema.com/2010/festival-reports/a-double-world-of-undigested-memory-the-57th-sydney-film-festival/</link>
		<comments>http://sensesofcinema.com/2010/festival-reports/a-double-world-of-undigested-memory-the-57th-sydney-film-festival/#comments</comments>
		<pubDate>Sun, 11 Jul 2010 11:04:16 +0000</pubDate>
		<dc:creator>Paul Macovaz</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 55]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3234</guid>
		<description><![CDATA[Pioneer Room Rhapsody A slightly cagey throng of greying cinemagoers mill nervously in the lower foyer of Sydney’s State Theatre. Red liveried ushers assure us the theatre will be opened soon. A quick trip to the toilet past the antlers and oaken tables of the “Pioneer’s Room”, a few moments wondering why cinema in the ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2010/festival-reports/a-double-world-of-undigested-memory-the-57th-sydney-film-festival/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>The Tale of Perceval le Gallois and the Young Althusserians</title>
		<link>http://sensesofcinema.com/2010/feature-articles/the-tale-of-perceval-le-gallois-and-the-young-althusserians/</link>
		<comments>http://sensesofcinema.com/2010/feature-articles/the-tale-of-perceval-le-gallois-and-the-young-althusserians/#comments</comments>
		<pubDate>Sun, 04 Apr 2010 16:03:37 +0000</pubDate>
		<dc:creator>Daniel Fairfax</dc:creator>
				<category><![CDATA[Eric Rohmer Dossier]]></category>
		<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 54]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2629</guid>
		<description><![CDATA[Infused with artifice, Rohmer’s remarkable adaptation of Chrétien de Troyes’ 12th-century verse poem marked a temporary radical shift in style for the filmmaker. But why? Daniel Fairfax looks for answers in the light of post-68 French film theory]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2010/feature-articles/the-tale-of-perceval-le-gallois-and-the-young-althusserians/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Celestial Sensations: The 13th Rencontres Internationales, Paris</title>
		<link>http://sensesofcinema.com/2009/festival-reports/celestial-sensations-the-13th-rencontres-internationales-paris/</link>
		<comments>http://sensesofcinema.com/2009/festival-reports/celestial-sensations-the-13th-rencontres-internationales-paris/#comments</comments>
		<pubDate>Mon, 28 Dec 2009 07:12:06 +0000</pubDate>
		<dc:creator>Daniel Fairfax</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 53]]></category>
		<category><![CDATA[Rencontres Internationales]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=383</guid>
		<description><![CDATA[So there I was, my dear reader, about to come back to Paris after several peripatetic weeks, ready to settle into my new flat and wondering what I was going to do with myself upon my rentrée. Clearly the thought of actually doing some work on my thesis, its due date rapidly approaching, filled me ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2009/festival-reports/celestial-sensations-the-13th-rencontres-internationales-paris/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jean-Marie Straub and Danièle Huillet</title>
		<link>http://sensesofcinema.com/2009/52/jean-marie-straub-and-daniele-huillet/</link>
		<comments>http://sensesofcinema.com/2009/52/jean-marie-straub-and-daniele-huillet/#comments</comments>
		<pubDate>Sun, 06 Sep 2009 06:13:14 +0000</pubDate>
		<dc:creator>Daniel Fairfax</dc:creator>
				<category><![CDATA[Great Directors]]></category>
		<category><![CDATA[Issue 52]]></category>
		<category><![CDATA[Straub-Huillet]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=61</guid>
		<description><![CDATA[ ]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2009/52/jean-marie-straub-and-daniele-huillet/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Illusion 24 frames per second: François Truffaut’s La Nuit Américaine</title>
		<link>http://sensesofcinema.com/2005/35/la_nuit_americaine/</link>
		<comments>http://sensesofcinema.com/2005/35/la_nuit_americaine/#comments</comments>
		<pubDate>Fri, 15 Apr 2005 19:20:00 +0000</pubDate>
		<dc:creator>Daniel Fairfax</dc:creator>
				<category><![CDATA[Brief Encounters]]></category>
		<category><![CDATA[Issue 35]]></category>
		<category><![CDATA[François Truffaut]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3354</guid>
		<description><![CDATA[Francois Truffaut&#x27;s testament on the filmmaking process. This article evaluates the film&#x27;s standing amongst the many film-with-a-film themed works]]></description>
		<wfw:commentRss>http://sensesofcinema.com/2005/35/la_nuit_americaine/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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