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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Daria Ezerova
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Daria Ezerova
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Daria Ezerova
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Daria Ezerova
      October 2019
      Issue 92
    more articles...
    Random
    • Back Street (John M Stahl, 1932)

      Daria Ezerova
      May 2002
      Feature Articles, John Flaus Dossier
      Issue 72
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Daria Ezerova
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Daria Ezerova
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Daria Ezerova
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Daria Ezerova
      October 2019
      Issue 92
    more articles...
    Random
    • Jeonju film festival

      International Cinema, Nationalist Politics: The 17th 2016 Jeonju International Film Festival

      Daria Ezerova
      September 2016
      Festival Reports
      Issue 80
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Daria Ezerova
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Daria Ezerova
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Daria Ezerova
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Daria Ezerova
      July 2019
      Issue 91
    more articles...
    Random
    • American Smart Cinema by Claire Perkins

      Daria Ezerova
      December 2013
      Book Reviews
      Issue 69
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Daria Ezerova
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Daria Ezerova
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Daria Ezerova
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Daria Ezerova
      October 2019
      Issue 92
    more articles...
    Random
    • Bright Star

      Bright Star (Jane Campion, 2009)

      Daria Ezerova
      September 2017
      Cinémathèque Annotations on Film
      Issue 84
  • Great Directors
    Recent
    • Fei Mu

      Daria Ezerova
      October 2019
      Issue 92
    • Huston, John

      Daria Ezerova
      July 2019
      Issue 91
    • Stone, Oliver

      Daria Ezerova
      July 2019
      Issue 91
    • Klapisch, Cédric

      Daria Ezerova
      March 2019
      Issue 90
    more articles...
    Random
    • Lee Chang-dong

      Daria Ezerova
      December 2014
      Great Directors
      Issue 73
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Author Daria Ezerova

Daria Ezerova

Daria Ezerova is a PhD candidate in the Department of Slavic Languages and Literatures at Yale University. She is a specialist on twentieth-century and contemporary Russian literature and cinema, and is about to complete her dissertation, “Derelict Futures: The Spaces of Socialism in Contemporary Russian Literature and Film".

thumb image

1988: Little Vera (Vasily Pichul)

Daria Ezerova
December 2017
100 Years of Soviet Cinema
Issue 85
“A Bomb into the Lap of Mother Russia”: Little Vera (Vasiliy Pichul, 1988) In May 1989, an issue of the American magazine Playboy caused a furore in the Soviet Union. The cover model, Natalya Negoda, clad...

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