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  • Features
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    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      October 2019
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      Denice McMahon
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      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      May 2011
      Festival Reports
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      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      July 2019
      Issue 91
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      Denice McMahon
      June 2013
      Book Reviews
      Issue 67
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      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      October 2019
      Issue 92
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      Denice McMahon
      November 2013
      Cinémathèque Annotations on Film
      Issue 69
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      Denice McMahon
      October 2019
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      Denice McMahon
      July 2019
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      Denice McMahon
      July 2019
      Issue 91
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      Denice McMahon
      March 2019
      Issue 90
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    • Haynes, Todd

      Denice McMahon
      July 2002
      Great Directors
      Issue 21
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Author Denice McMahon

Denice McMahon

Denice McMahon is a student, writer, and musician, currently undertaking a Masters in Film Studies at University College Cork, Ireland.

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An Analysis of the Soundtrack in the Work of Malcolm Le Grice

Denice McMahon
February 2006
On Movies, Musicians and Soundtracks
Issue 38
Avant-garde cinema has a long and illustrious tradition of experimentation between image and music. The work of this seminal structural/materialist filmmaker is further testament to that abiding practice.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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