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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Dušan Makavejev
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Dušan Makavejev
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Dušan Makavejev
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Dušan Makavejev
      October 2019
      Issue 92
    more articles...
    Random
    • Bad Lieutenant

      Abel Ferrara: Filming (on) the Wild Side (of New York)

      Dušan Makavejev
      September 2013
      Feature Articles
      Issue 68
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Dušan Makavejev
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Dušan Makavejev
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Dušan Makavejev
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Dušan Makavejev
      October 2019
      Issue 92
    more articles...
    Random
    • A Vintage Year – the 21st Far East Film Festival

      Dušan Makavejev
      July 2019
      Festival Reports
      Issue 91
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Dušan Makavejev
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Dušan Makavejev
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Dušan Makavejev
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Dušan Makavejev
      July 2019
      Issue 91
    more articles...
    Random
    • Sweet Smell of Success (Alexander Mackendrick, 1957)

      More Rapture! The Big Screen: The Story of the Movies and What They Did To Us by David Thomson

      Dušan Makavejev
      September 2013
      Book Reviews
      Issue 68
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Dušan Makavejev
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Dušan Makavejev
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Dušan Makavejev
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Dušan Makavejev
      October 2019
      Issue 92
    more articles...
    Random
    • bay of angels

      La Baie des Anges

      Dušan Makavejev
      March 2018
      Cinémathèque Annotations on Film
      Issue 86
  • Great Directors
    Recent
    • Fei Mu

      Dušan Makavejev
      October 2019
      Issue 92
    • Huston, John

      Dušan Makavejev
      July 2019
      Issue 91
    • Stone, Oliver

      Dušan Makavejev
      July 2019
      Issue 91
    • Klapisch, Cédric

      Dušan Makavejev
      March 2019
      Issue 90
    more articles...
    Random
    • Arzner, Dorothy

      Dušan Makavejev
      May 2003
      Great Directors
      Issue 26
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Author Dušan Makavejev

Dušan Makavejev

Dušan Makavejev is a Yugoslav born filmmaker who resides in Paris and Belgrave and whose extensive and distinguished career includes such titles as Innocence Unprotected, The Tragedy of a Switchboard Operator and Manifesto.

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Sweet Movie: The Gentle Side of “Destructive Art”

Dušan Makavejev
May 2008
Feature Articles
Issue 47
The esteemed director of this landmark movie looks back at his most controversial film.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

Webmaster and Administrator: Bradley Dixon

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