Senses of Cinema logo
Search
Subscribe

Subscribe to Senses of Cinema to receive news of our latest cinema journal.
Enter your email address below:

Submit
  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Edith Hallberg
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Edith Hallberg
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Edith Hallberg
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Edith Hallberg
      October 2019
      Issue 92
    more articles...
    Random
    • Richard Tuohy

      Second Nature: On the Experimental Work of Richard Tuohy

      Edith Hallberg
      March 2016
      Feature Articles
      Issue 78
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Edith Hallberg
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Edith Hallberg
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Edith Hallberg
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Edith Hallberg
      October 2019
      Issue 92
    more articles...
    Random
    • Leaders in African Film Today: the 17th Festival du cinéma africain de Khouribga

      Edith Hallberg
      October 2014
      Festival Reports
      Issue 72
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Edith Hallberg
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Edith Hallberg
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Edith Hallberg
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Edith Hallberg
      July 2019
      Issue 91
    more articles...
    Random
    • Conversations with Directors: An Anthology of Interviews from Literature/Film Quarterly edited by Elsie M. Walker and David T. Johnson

      Edith Hallberg
      October 2010
      Book Reviews
      Issue 56
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Edith Hallberg
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Edith Hallberg
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Edith Hallberg
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Edith Hallberg
      October 2019
      Issue 92
    more articles...
    Random
    • Applause

      Edith Hallberg
      July 2002
      Cinémathèque Annotations on Film
      Issue 21
  • Great Directors
    Recent
    • Fei Mu

      Edith Hallberg
      October 2019
      Issue 92
    • Huston, John

      Edith Hallberg
      July 2019
      Issue 91
    • Stone, Oliver

      Edith Hallberg
      July 2019
      Issue 91
    • Klapisch, Cédric

      Edith Hallberg
      March 2019
      Issue 90
    more articles...
    Random
    • Kieslowski, Krzysztof

      Edith Hallberg
      July 2003
      Great Directors
      Issue 27
  • Podcast
  • Support Senses
  • Shop
  • Subscribe
Can you spare a few dollars to help us keep publishing outstanding writing on cinema?

Support us by joining our Patreon community and get heaps of rewards like e-Zines & bonus podcast content!

Join up now >>

  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Past Issues
  • Special Dossiers
  • World Poll
  • Advertisers
  • Proposals
  • Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
  • Subscribe

Author Edith Hallberg

Edith Hallberg

Edith Hallberg has published articles on contemporary American, Australian, and South African theatre. She is also a co-editor of Litspeak: A Magazine of Fiction, Poetry and the Visual Arts.

article placeholder

To Live and Die in L.A.: Ritual in the Films of Willem Dafoe

Edith Hallberg
July 2004
Beyond the Grave of Genre
Issue 32
A martyr to the cinema: Hallberg traces the meta-narrative of death and transcendence guiding Dafoe's film performances.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

Webmaster and Administrator: Bradley Dixon

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff