gabrielle-murray
When Violence is an Axe and Romance is Dark: An Interview with Catherine Breillat
The controversial filmmaker discusses a range of polemical topics such as sex, violence, feminism, pornography, censorship, and her recent adaptations of classic fairytales.
Knowing Icons and Transforming Experience: Sergei Eisenstein’s ¡Que Viva México! (1932)
Though Eisenstein’s vision for ¡Que Viva México! was never fully realised, Gabrielle Murray argues that the version(s) we have reveals the twin influence of Russian
Sam Peckinpah: Interviews edited by Kevin J. Hayes
Making a picture is a big love affair, the biggest love affair in the world. – Sam Peckinpah (1) Sam Peckinpah’s personal relationships all seemed
The Last Place in the World… A review of Far from Heaven
Though Haynes' re-make of '50s Sirkian melodrama is authentic, Gabrielle suggests the block on individual characters' desires and passions is at odds with the original
Sam Peckinpah
b. David Samuel Peckinpah b. February 21, 1925, Fresno, California. d. December 28, 1984, Los Angeles. filmography bibliography articles in Senses web resources Peckinpah shot
Cross of Iron
Cross of Iron (1977 UK/West Germany 119mins) Source: NLA/CAC Prod Co: Anglo-EMI (London)/Rapid Film (Munich)/Terra Filmkunst (West Berlin) Prod: Wolf Hartwig Dir: Sam Peckinpah Scr:
This Wounded Cinema, This Wounded Life
This paper was given at the Special Effects/Special Affects: Technologies of the Screen symposium held at the University of Melbourne, 25/3/2000. * * * I