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  • Features
    Recent
    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Hudson Moura
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Hudson Moura
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

      Hudson Moura
      March 2018
      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

      Hudson Moura
      March 2018
      Issue 86
    more articles...
    Random
    • ‘When Ordinary Seeing Fails’: Reclaiming the Art of Documentary in Michelangelo Antonioni’s 1972 China Film Chung Kuo

      Hudson Moura
      July 2013
      Feature Articles
      Issue 67
  • Festival Reports
    Recent
    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Hudson Moura
      March 2018
      Issue 86
    • AFI AFM 2017

      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Hudson Moura
      March 2018
      Issue 86
    • Ânûû-rû Âboro: The Festival of Peoples’ Cinema

      Hudson Moura
      March 2018
      Issue 86
    • A Tale of Two Festivals: International Film Festival of India and Experimenta

      Hudson Moura
      March 2018
      Issue 86
    more articles...
    Random
    • Triumph of the Weird: the 2015 International Film Festival Rotterdam

      Hudson Moura
      March 2015
      Festival Reports
      Issue 74
  • Book Reviews
    Recent
    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Hudson Moura
      March 2018
      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Hudson Moura
      March 2018
      Issue 86
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Hudson Moura
      March 2018
      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

      Hudson Moura
      March 2018
      Issue 86
    more articles...
    Random
    • How to watch a movie: The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory by Murray Pomerance

      Hudson Moura
      April 2010
      Book Reviews
      Issue 54
  • CTEQ
    Recent
    • Diary of a Chambermaid

      Diary of a Chambermaid

      Hudson Moura
      March 2018
      Issue 86
    • Les Amants

      Les Amants

      Hudson Moura
      March 2018
      Issue 86
    • bay of angels

      La Baie des Anges

      Hudson Moura
      March 2018
      Issue 86
    • Eva (Joseph Losey, 1962)

      Hudson Moura
      March 2018
      Issue 86
    more articles...
    Random
    • Le Mystère Picasso

      Hudson Moura
      November 2011
      Cinémathèque Annotations on Film
      Issue 61
  • Great Directors
    Recent
    • Chantal Akerman

      Chantal Akerman

      Hudson Moura
      February 2018
      Issue 86
    • Sergei Eisenstein

      Sergei Eisenstein

      Hudson Moura
      December 2017
      Issue 85
    • Max Ophuls

      Max Ophuls

      Hudson Moura
      December 2017
      Issue 85
    • Lindsay Anderson

      Lindsay Anderson

      Hudson Moura
      December 2017
      Issue 85
    more articles...
    Random
    • Arthur Lipsett

      Hudson Moura
      July 2004
      Great Directors
      Issue 32
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Author Hudson Moura

Hudson Moura

Hudson Moura is a Brazilian-Canadian professor in film at Ryerson University, Canada. He is guest editor of a special issue focusing on Brazilian contemporary cinema for the Université de Montréal’s journal Cinémas (2011), and the film programmer of BRAFFv-Brazilian Film and TV Festival of Toronto.

thumb image

Nelson Pereira dos Santos

Hudson Moura
October 2011
Great Directors
Issue 60
b. October, 22, 1928 — São Paulo, Brazil Nelson Pereira dos Santos, considered the initiator of modern Brazilian cinema in the 1950s, is also its most literary filmmaker. In fact, of his 25 features, 15...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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