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  • Features
    Recent
    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Imed Labidi
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Imed Labidi
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

      Imed Labidi
      March 2018
      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

      Imed Labidi
      March 2018
      Issue 86
    more articles...
    Random
    • The Hateful Eight

      Familiar Refrains and Minor Variations: Quentin Tarantino’s Hateful Eighth

      Imed Labidi
      March 2016
      Feature Articles
      Issue 78
  • Festival Reports
    Recent
    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Imed Labidi
      March 2018
      Issue 86
    • AFI AFM 2017

      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Imed Labidi
      March 2018
      Issue 86
    • Ânûû-rû Âboro: The Festival of Peoples’ Cinema

      Imed Labidi
      March 2018
      Issue 86
    • A Tale of Two Festivals: International Film Festival of India and Experimenta

      Imed Labidi
      March 2018
      Issue 86
    more articles...
    Random
    • Contradiction, Film Formats and Audience Development at the 59th BFI London Film Festival

      Imed Labidi
      December 2015
      Festival Reports
      Issue 77
  • Book Reviews
    Recent
    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Imed Labidi
      March 2018
      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Imed Labidi
      March 2018
      Issue 86
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Imed Labidi
      March 2018
      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

      Imed Labidi
      March 2018
      Issue 86
    more articles...
    Random
    • Chris Marker and the Archival Imperative: La Jetée: ciné-roman and Staring Back by Chris Marker and Chris Marker by Sarah Cooper

      Imed Labidi
      September 2009
      Book Reviews
      Issue 52
  • CTEQ
    Recent
    • Diary of a Chambermaid

      Diary of a Chambermaid

      Imed Labidi
      March 2018
      Issue 86
    • Les Amants

      Les Amants

      Imed Labidi
      March 2018
      Issue 86
    • bay of angels

      La Baie des Anges

      Imed Labidi
      March 2018
      Issue 86
    • Eva (Joseph Losey, 1962)

      Imed Labidi
      March 2018
      Issue 86
    more articles...
    Random
    • California Split

      California Split

      Imed Labidi
      May 2003
      Cinémathèque Annotations on Film
      Issue 78
  • Great Directors
    Recent
    • Chantal Akerman

      Chantal Akerman

      Imed Labidi
      February 2018
      Issue 86
    • Sergei Eisenstein

      Sergei Eisenstein

      Imed Labidi
      December 2017
      Issue 85
    • Max Ophuls

      Max Ophuls

      Imed Labidi
      December 2017
      Issue 85
    • Lindsay Anderson

      Lindsay Anderson

      Imed Labidi
      December 2017
      Issue 85
    more articles...
    Random
    • Andrei Tarkovsky

      Imed Labidi
      May 2002
      Great Directors
      Issue 20 Issue 20
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Author Imed Labidi

Imed Labidi

Imed Labidi, Ph.D, Department of Cultural Studies and Comparative Literature, University of Minnesota, USA.

thumb image

Welcome: An Insight into the Landscape of Contemporary French Consciousness

Imed Labidi
June 2011
Feature Articles
Issue 59
Set amongst the world of refugees and asylum seekers in the port city of Calais, Philippe Lioret’s 2009 film says much about France’s confrontation with the symbolic ‘other’.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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