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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Jay Rothermel
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Jay Rothermel
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Jay Rothermel
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Jay Rothermel
      December 2018
      Issue 89
    more articles...
    Random
    • Darkness Itself Made Plastic: The Forms and Formlessness of Jacques Rivette’s La Belle Noiseuse

      Jay Rothermel
      June 2018
      Feature Articles
      Issue 87
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Jay Rothermel
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Jay Rothermel
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Jay Rothermel
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Jay Rothermel
      December 2018
      Issue 89
    more articles...
    Random
    • Turning X in an XXY World: The 10th Mezipatra Queer Film Festival

      Jay Rothermel
      December 2009
      Festival Reports
      Issue 53
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Jay Rothermel
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Jay Rothermel
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Jay Rothermel
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Jay Rothermel
      December 2018
      Issue 89
    more articles...
    Random
    • Angela Dalle Vacche (ed), Film, Art, New Media: Museum without Walls?

      Jay Rothermel
      March 2013
      Book Reviews
      Issue 66
  • CTEQ
    Recent
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Jay Rothermel
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Jay Rothermel
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Jay Rothermel
      October 2018
      Issue 88
    • A City in Transition in Taipei Story (Edward Yang, 1985)

      Jay Rothermel
      October 2018
      Issue 88
    more articles...
    Random
    • Sabata

      Sabata (Gianfranco Parolini, 1969): The Best of the Bad

      Jay Rothermel
      June 2018
      Cinémathèque Annotations on Film
      Issue 87
  • Great Directors
    Recent
    • Takahata, Isao

      Jay Rothermel
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Jay Rothermel
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Jay Rothermel
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Jay Rothermel
      October 2018
      Issue 88
    more articles...
    Random
    • Melville, Jean-Pierre

      Jay Rothermel
      October 2002
      Great Directors
      Issue 22
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Author Jay Rothermel

Jay Rothermel

Jay Rothermel is a freelance writer based in Cleveland, Ohio.

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A Traitor to His Class: John Dillinger and Public Enemies

Jay Rothermel
September 2009
Feature Articles
Issue 52
For all Michael Mann’s claims about the veracity of his research into Depression-Era America, Jay Rothermel argues that he has “printed the legend” more than the facts.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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