Ginette Lavigne’s La belle journée Jean-Louis Comolli March 2012 Feature Articles Issue 62 Ginette Lavigne’s film offers a radical alternative to conventional uses of the sound/image dynamic.
New Interview with Eric Rohmer Jean Narboni, Jean-Louis Comolli, Serge Daney and Pascal Bonitzer April 2010 Eric Rohmer Dossier, Feature Articles, Special Dossiers Issue 54 A landmark interview originally published in Cahiers du cinéma in 1970. The journal was in the midst of its Marxist/Leninist era, while Rohmer's Bazinian idealism was vindicated by the success of My Night at Maud’s. A fascinating joust between two entirely opposed views of the cinema
