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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Joe Ruffell
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Joe Ruffell
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Joe Ruffell
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Joe Ruffell
      December 2018
      Issue 89
    more articles...
    Random
    • Inland Empire

      ‛A Man I Once Knew’: Old Tales and Bad Time in David Lynch’s Inland Empire

      Joe Ruffell
      July 2016
      Feature Articles
      Issue 79
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Joe Ruffell
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Joe Ruffell
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Joe Ruffell
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Joe Ruffell
      December 2018
      Issue 89
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    Random
    • Truth, Myths and Clichés: The 9th Beijing Independent Film Festival

      Joe Ruffell
      November 2012
      Festival Reports
      Issue 65
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Joe Ruffell
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Joe Ruffell
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Joe Ruffell
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Joe Ruffell
      December 2018
      Issue 89
    more articles...
    Random
    • Shadow Economies of Cinema: Mapping Informal Film Distribution by Roman Lobato

      Joe Ruffell
      November 2012
      Book Reviews
      Issue 65
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Joe Ruffell
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Joe Ruffell
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Joe Ruffell
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Joe Ruffell
      October 2018
      Issue 88
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    Random
    • Sergei Eisenstein

      Joe Ruffell
      February 2004
      Cinémathèque Annotations on Film, Feature Articles
      Issue 30
  • Great Directors
    Recent
    • Takahata, Isao

      Joe Ruffell
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Joe Ruffell
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Joe Ruffell
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Joe Ruffell
      October 2018
      Issue 88
    more articles...
    Random
    • Scorsese, Martin

      Joe Ruffell
      May 2002
      Great Directors
      Issue 20 Issue 20
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Author Joe Ruffell

Joe Ruffell

Joe Ruffell is from Portsmouth, UK and is particularly interested in the cinema of Fassbinder, Borowczyk, Marker and Godard.

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Fassbinder, Rainer Werner

Joe Ruffell
May 2002
Great Directors
Issue 20 Issue 20
b. May 31, 1945 Bad Wörishofen, Germany. d. June 10, 1982 Munich, Germany. filmography bibliography articles in Senses web resources Rainer Werner Fassbinder was a filmmaker prolific to the...
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Rich and Strange: An Introduction to the Live Action Features of Walerian Borowczyk

Joe Ruffell
December 2001
Underrated and Overlooked
Issue 18
Ruffell argues for Borowczyk as one of the most important filmmakers of '70s cinema.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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