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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Jonathan auf der Heide
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Jonathan auf der Heide
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Jonathan auf der Heide
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Jonathan auf der Heide
      December 2018
      Issue 89
    more articles...
    Random
    • Notes on Some Limits of Technicolor: The Antonioni Case

      Jonathan auf der Heide
      December 2009
      Feature Articles
      Issue 53
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Jonathan auf der Heide
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Jonathan auf der Heide
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Jonathan auf der Heide
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Jonathan auf der Heide
      December 2018
      Issue 89
    more articles...
    Random
    • Adelaide film festival review

      Ghostly Wanderings Between Cinema and the Gallery: 2015 Adelaide Film Festival

      Jonathan auf der Heide
      December 2015
      Festival Reports
      Issue 77
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Jonathan auf der Heide
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Jonathan auf der Heide
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Jonathan auf der Heide
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Jonathan auf der Heide
      December 2018
      Issue 89
    more articles...
    Random
    • Wake in Fright by Tina Kaufman

      Jonathan auf der Heide
      March 2011
      Book Reviews
      Issue 58
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Jonathan auf der Heide
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Jonathan auf der Heide
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Jonathan auf der Heide
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Jonathan auf der Heide
      October 2018
      Issue 88
    more articles...
    Random
    • A Jester's Tale film review

      Any Way the Wind Blows: A Jester's Tale

      Jonathan auf der Heide
      June 2015
      Cinémathèque Annotations on Film
      Issue 75
  • Great Directors
    Recent
    • Takahata, Isao

      Jonathan auf der Heide
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Jonathan auf der Heide
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Jonathan auf der Heide
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Jonathan auf der Heide
      October 2018
      Issue 88
    more articles...
    Random
    • Truffaut, François

      Jonathan auf der Heide
      July 2003
      Great Directors
      Issue 27
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Author Jonathan auf der Heide

Jonathan auf der Heide

Jonathan auf der Heide won the Best Emerging Filmmaker award at the 2008 Melbourne International Film Festival, and his debut feature Van Diemen’s Land was released the following year. He’s currently directing his segment of the compendium feature adaptation of Tim Winton’s The Turning and co-writing his next feature, This Dark Wood (also set in Tasmania) with Tom Holloway – which has received second draft funding from Screen Tasmania.

thumb image

Van Diemen’s Land

Jonathan auf der Heide
November 2012
Tasmania and the Cinema
Issue 65
I first heard the story of escaped convict Alexander Pearce when I was a teenager on the tour boat to Sarah Island in Macquarie Harbour. I’d been working with a theatre company in Strahan as an actor and it...

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