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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Jordan Cronk
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Jordan Cronk
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Jordan Cronk
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Jordan Cronk
      October 2019
      Issue 92
    more articles...
    Random
    • On Reality and Imagination: An Interview with Documentarian Dai Sil Kim-Gibson

      Jordan Cronk
      June 2011
      Feature Articles
      Issue 59
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Jordan Cronk
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Jordan Cronk
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Jordan Cronk
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Jordan Cronk
      October 2019
      Issue 92
    more articles...
    Random
    • Between the lines and to the point: The 68th Venice Film Festival

      Jordan Cronk
      February 2012
      Festival Reports
      Issue 62
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Jordan Cronk
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Jordan Cronk
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Jordan Cronk
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Jordan Cronk
      July 2019
      Issue 91
    more articles...
    Random
    • Cinema

      A School for Everyone. Alain Badiou’s Cinema

      Jordan Cronk
      September 2013
      Book Reviews
      Issue 68
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Jordan Cronk
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Jordan Cronk
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Jordan Cronk
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Jordan Cronk
      October 2019
      Issue 92
    more articles...
    Random
    • The Unknown

      Jordan Cronk
      July 2010
      Cinémathèque Annotations on Film
      Issue 55
  • Great Directors
    Recent
    • Fei Mu

      Jordan Cronk
      October 2019
      Issue 92
    • Huston, John

      Jordan Cronk
      July 2019
      Issue 91
    • Stone, Oliver

      Jordan Cronk
      July 2019
      Issue 91
    • Klapisch, Cédric

      Jordan Cronk
      March 2019
      Issue 90
    more articles...
    Random
    • de Leon, Gerardo

      Jordan Cronk
      April 2005
      Great Directors
      Issue 35
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Author Jordan Cronk

Jordan Cronk

Jordan Cronk is a Los Angeles-based film critic and programmer. He runs the experimental screening series Acropolis Cinema and regularly contributes to Cinema Scope, Sight & Sound, Cineaste, Reverse Shot, and the Los Angeles Review of Books.

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A Diaspora of Desire: Gabriel Abrantes, Daniel Schmidt, Benjamin Crotty and Alexander Carver

Jordan Cronk
July 2016
Feature Articles
Issue 79
When Gabriel Abrantes’ Taprobana (2014) screened at the Toronto International ortilm Festival as part of a three-film program of new Portuguese cinema, there was little to suggest what perverse wonder lay in...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

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César Albarrán-Torres • Michelle Carey • Daniel Fairfax • Mark Freeman • David Heslin

Webmaster and Administrator: Bradley Dixon

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