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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Jorge Latorre
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Jorge Latorre
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Jorge Latorre
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Jorge Latorre
      December 2018
      Issue 89
    more articles...
    Random
    • Notes on Some Limits of Technicolor: The Antonioni Case

      Jorge Latorre
      December 2009
      Feature Articles
      Issue 53
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Jorge Latorre
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Jorge Latorre
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Jorge Latorre
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Jorge Latorre
      December 2018
      Issue 89
    more articles...
    Random
    • Sundance 2017

      Sundance 2017

      Jorge Latorre
      March 2017
      Festival Reports
      Issue 82
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Jorge Latorre
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Jorge Latorre
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Jorge Latorre
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Jorge Latorre
      December 2018
      Issue 89
    more articles...
    Random
    • The Afterlives of Acting: Famous Faces Yet Not Themselves: The Misfits and Icons of Postwar America by George Kouvaros

      Jorge Latorre
      June 2012
      Book Reviews
      Issue 63
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Jorge Latorre
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Jorge Latorre
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Jorge Latorre
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Jorge Latorre
      October 2018
      Issue 88
    more articles...
    Random
    • Mother film review

      Mother (Mikio Naruse, 1952)

      Jorge Latorre
      June 2015
      Cinémathèque Annotations on Film
      Issue 75
  • Great Directors
    Recent
    • Takahata, Isao

      Jorge Latorre
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Jorge Latorre
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Jorge Latorre
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Jorge Latorre
      October 2018
      Issue 88
    more articles...
    Random
    • Rainer, Yvonne

      Jorge Latorre
      July 2003
      Great Directors
      Issue 27
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Author Jorge Latorre

Jorge Latorre

Jorge Latorre teaches visual culture (the arts, photography and film) in the Audiovisual Department, School of Communication, University of Navarra, Pamplona, Spain.

thumb image

Pablo Berger’s Blancanieves and Modern Spain

Jorge Latorre
March 2014
Feature Articles
Issue 70
he history of Spanish art features many courageous people. I am always championing it because it is very difficult to see. he value of Italian art is very easy to see, and the same goes for French. The great...

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