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  • Features
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    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      José Zarandona
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      José Zarandona
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      José Zarandona
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      José Zarandona
      December 2018
      Issue 89
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    • When Violence is an Axe and Romance is Dark: An Interview with Catherine Breillat

      José Zarandona
      March 2011
      Feature Articles
      Issue 58
  • Festival Reports
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    • #Youmustsee: The 2018 Adelaide International Film Festival

      José Zarandona
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      José Zarandona
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      José Zarandona
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      José Zarandona
      December 2018
      Issue 89
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    • Mainland Chinese Genre Cinema Comes of Age: The 15th Far East Film Festival

      José Zarandona
      June 2013
      Festival Reports
      Issue 67
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      José Zarandona
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      José Zarandona
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      José Zarandona
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      José Zarandona
      December 2018
      Issue 89
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    • The British “B’’ Film by Stephen Chibnall and Brian McFarlane

      José Zarandona
      October 2010
      Book Reviews
      Issue 56
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      José Zarandona
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      José Zarandona
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      José Zarandona
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      José Zarandona
      October 2018
      Issue 88
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    • The Strange Love of Martha Ivers

      Open Game – Our Strange Love for Martha Ivers

      José Zarandona
      March 2016
      Cinémathèque Annotations on Film
      Issue 78
  • Great Directors
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    • Takahata, Isao

      José Zarandona
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      José Zarandona
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      José Zarandona
      October 2018
      Issue 88
    • Oliveira, Manoel de

      José Zarandona
      October 2018
      Issue 88
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    • Van Peebles, Melvin

      José Zarandona
      March 2003
      Great Directors
      Issue 25
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Author José Zarandona

José Zarandona

José Zarandona, a Multimedia Designer at the National Gallery of Victoria, is currently finishing his M.A. in Film Studies at the University of Melbourne.

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Cuarón, Alfonso

José Zarandona
February 2009
Great Directors
Issue 49
b. 28 November, 1961, Mexico City, Mexico. Filmography Select Bibliography Web Resources Moviemakers these days work in a field undergoing many kinds of change, but perhaps the most notable is the...

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