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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Kate Matthews
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Kate Matthews
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Kate Matthews
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Kate Matthews
      October 2019
      Issue 92
    more articles...
    Random
    • Following The Law of One’s Own Being: The Crying Woman in The Green Ray

      Kate Matthews
      April 2010
      Eric Rohmer Dossier, Feature Articles, Special Dossiers
      Issue 54
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Kate Matthews
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Kate Matthews
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Kate Matthews
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Kate Matthews
      October 2019
      Issue 92
    more articles...
    Random
    • Together We Stand: Supporting and Celebrating Japanese Cinema at the 11th Nippon Connection Film Festival

      Kate Matthews
      June 2011
      Festival Reports
      Issue 59
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Kate Matthews
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Kate Matthews
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Kate Matthews
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Kate Matthews
      July 2019
      Issue 91
    more articles...
    Random
    • Master Curator of Readymades: Dennis Hopper: The Wild Ride of a Hollywood Rebel by Peter L. Winkler

      Kate Matthews
      December 2014
      Book Reviews
      Issue 73
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Kate Matthews
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Kate Matthews
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Kate Matthews
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Kate Matthews
      October 2019
      Issue 92
    more articles...
    Random
    • The “High Sign”

      Kate Matthews
      September 2013
      Cinémathèque Annotations on Film
      Issue 70
  • Great Directors
    Recent
    • Fei Mu

      Kate Matthews
      October 2019
      Issue 92
    • Huston, John

      Kate Matthews
      July 2019
      Issue 91
    • Stone, Oliver

      Kate Matthews
      July 2019
      Issue 91
    • Klapisch, Cédric

      Kate Matthews
      March 2019
      Issue 90
    more articles...
    Random
    • Cammell, Donald

      Kate Matthews
      December 2002
      Great Directors
      Issue 23
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Author Kate Matthews

Kate Matthews

Kate Matthews has spent a lot of time lately riding a bicycle around Berlin. At other times, she can be found in Melbourne, working on film and animation projects, teaching and writing. She is currently a Curator for Australian Screen.

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“The three of us traveled the whole path together. Now that is Utopia.”: The 7th Berlinale Talent Campus

Kate Matthews
July 2009
Festival Reports
Issue 51
7–12 February 2009 On a wintery Sunday morning, in the hundred-year old HAU1 theatre in Berlin, British screenwriter Sir David Hare is in conversation with Brazilian writer/director Daniela Thomas...
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Assembly Required: Technique, Style and Story: The 2007 Melbourne International Animation Festival

Kate Matthews
November 2007
Festival Reports
Issue 45
19-24 June 2007 The selection at this year’s Melbourne International Animation Festival was, as usual, testament to animation’s extraordinary stylistic range. What unites works under the banner of...

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