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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Katrina Ross Tan
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Katrina Ross Tan
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Katrina Ross Tan
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Katrina Ross Tan
      October 2019
      Issue 92
    more articles...
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    • Correspondence

      Katrina Ross Tan
      December 2009
      Feature Articles
      Issue 53
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Katrina Ross Tan
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Katrina Ross Tan
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Katrina Ross Tan
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Katrina Ross Tan
      October 2019
      Issue 92
    more articles...
    Random
    • It all began in Khouribga: the 15th Festival du Cinéma Africain de Khouribga

      Katrina Ross Tan
      August 2012
      Festival Reports
      Issue 64
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Katrina Ross Tan
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Katrina Ross Tan
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Katrina Ross Tan
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Katrina Ross Tan
      July 2019
      Issue 91
    more articles...
    Random
    • Machine-Age Comedy by Michael North

      Katrina Ross Tan
      June 2011
      Book Reviews
      Issue 59
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Katrina Ross Tan
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Katrina Ross Tan
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Katrina Ross Tan
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Katrina Ross Tan
      October 2019
      Issue 92
    more articles...
    Random
    • The Love Letters from Teralba Road

      Katrina Ross Tan
      July 2001
      Cinémathèque Annotations on Film
      Issue 74
  • Great Directors
    Recent
    • Fei Mu

      Katrina Ross Tan
      October 2019
      Issue 92
    • Huston, John

      Katrina Ross Tan
      July 2019
      Issue 91
    • Stone, Oliver

      Katrina Ross Tan
      July 2019
      Issue 91
    • Klapisch, Cédric

      Katrina Ross Tan
      March 2019
      Issue 90
    more articles...
    Random
    • Alea, Tomás Gutiérrez

      Katrina Ross Tan
      October 2003
      Great Directors
      Issue 28
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Author Katrina Ross Tan

Katrina Ross Tan

Katrina Ross Tan is a PhD candidate in Film, Media and Communications at Monash University and a faculty member at the Department of Humanities in University of the Philippines Los Baños. Her thesis focuses on digital filmmaking in the Philippine regions. She is also the founding festival director of Pelikultura: The Calabarzon Film Festival held in Los Baños, Laguna.

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Declaring the ‘End’, Signaling a Renewal: The End of National Cinema: Filipino Films at the Turn of the Century, by Patrick Campos

Katrina Ross Tan
October 2018
Book Reviews
Issue 88
It is notable that in his first book, Patrick Campos declares the “end of national cinema” – not to signal Philippine cinema’s death, but to revaluate “national cinema” in Philippine film...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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