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  • Features
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    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Keith Connolly
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Keith Connolly
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

      Keith Connolly
      March 2018
      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

      Keith Connolly
      March 2018
      Issue 86
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    • VR Documentary

      The Empathy Engine: VR Documentary and Deep Connection

      Keith Connolly
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  • Festival Reports
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    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Keith Connolly
      March 2018
      Issue 86
    • AFI AFM 2017

      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Keith Connolly
      March 2018
      Issue 86
    • Ânûû-rû Âboro: The Festival of Peoples’ Cinema

      Keith Connolly
      March 2018
      Issue 86
    • A Tale of Two Festivals: International Film Festival of India and Experimenta

      Keith Connolly
      March 2018
      Issue 86
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    • Oberhausen film festival review

      Exploring the Liminal Space between Selection and Curation: 61. Internationale Kurzfilmtage Oberhausen

      Keith Connolly
      June 2015
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      Issue 75
  • Book Reviews
    Recent
    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Keith Connolly
      March 2018
      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Keith Connolly
      March 2018
      Issue 86
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Keith Connolly
      March 2018
      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

      Keith Connolly
      March 2018
      Issue 86
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    • Almodrama and the Aesthetics of Excess: Latin American Melodrama: Passion, Pathos and Entertainment edited by Darlene J. Sadlier All About Almodóvar: A Passion for Cinema edited by Brad Epps and Despina Kakoudaki

      Keith Connolly
      October 2010
      Book Reviews
      Issue 56
  • CTEQ
    Recent
    • Diary of a Chambermaid

      Diary of a Chambermaid

      Keith Connolly
      March 2018
      Issue 86
    • Les Amants

      Les Amants

      Keith Connolly
      March 2018
      Issue 86
    • bay of angels

      La Baie des Anges

      Keith Connolly
      March 2018
      Issue 86
    • Eva (Joseph Losey, 1962)

      Keith Connolly
      March 2018
      Issue 86
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    • The Third Generation

      Keith Connolly
      June 2011
      Cinémathèque Annotations on Film
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  • Great Directors
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    • Chantal Akerman

      Chantal Akerman

      Keith Connolly
      February 2018
      Issue 86
    • Sergei Eisenstein

      Sergei Eisenstein

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    • Max Ophuls

      Max Ophuls

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      December 2017
      Issue 85
    • Lindsay Anderson

      Lindsay Anderson

      Keith Connolly
      December 2017
      Issue 85
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    • Clara Law

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      Great Directors
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Author Keith Connolly

Keith Connolly

Keith Connolly was the film reviewer for The Herald, Melbourne.

article placeholder

The Two Bazzas

Keith Connolly
July 2008
Dossier on Australian Exploitation, Special Dossiers
Issue 48
Combined review of Bruce Beresford’s two early seminal comedies of the grotesque, The Adventures of Barry McKenzie and Barry McKenzie Holds His Own.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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