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  • Features
    Recent
    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Lisa K. Broad
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Lisa K. Broad
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

      Lisa K. Broad
      March 2018
      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

      Lisa K. Broad
      March 2018
      Issue 86
    more articles...
    Random
    • Urban Modernity and Fluctuating Time: "Catching the Tempo" of the 1920s City Symphony Films

      Lisa K. Broad
      September 2013
      Feature Articles
      Issue 68
  • Festival Reports
    Recent
    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Lisa K. Broad
      March 2018
      Issue 86
    • AFI AFM 2017

      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Lisa K. Broad
      March 2018
      Issue 86
    • Ânûû-rû Âboro: The Festival of Peoples’ Cinema

      Lisa K. Broad
      March 2018
      Issue 86
    • A Tale of Two Festivals: International Film Festival of India and Experimenta

      Lisa K. Broad
      March 2018
      Issue 86
    more articles...
    Random
    • Curtocircuito

      New Galician Cinema at Curtocircuito

      Lisa K. Broad
      December 2016
      Festival Reports
      Issue 81
  • Book Reviews
    Recent
    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Lisa K. Broad
      March 2018
      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Lisa K. Broad
      March 2018
      Issue 86
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Lisa K. Broad
      March 2018
      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

      Lisa K. Broad
      March 2018
      Issue 86
    more articles...
    Random
    • The Mystical Gaze of the Cinema: The Films of Peter Weir by Richard Leonard

      Lisa K. Broad
      March 2011
      Book Reviews
      Issue 58
  • CTEQ
    Recent
    • Diary of a Chambermaid

      Diary of a Chambermaid

      Lisa K. Broad
      March 2018
      Issue 86
    • Les Amants

      Les Amants

      Lisa K. Broad
      March 2018
      Issue 86
    • bay of angels

      La Baie des Anges

      Lisa K. Broad
      March 2018
      Issue 86
    • Eva (Joseph Losey, 1962)

      Lisa K. Broad
      March 2018
      Issue 86
    more articles...
    Random
    • À nous la liberté

      Lisa K. Broad
      November 2000
      Cinémathèque Annotations on Film, John Flaus Dossier
      Issue 72
  • Great Directors
    Recent
    • Chantal Akerman

      Chantal Akerman

      Lisa K. Broad
      February 2018
      Issue 86
    • Sergei Eisenstein

      Sergei Eisenstein

      Lisa K. Broad
      December 2017
      Issue 85
    • Max Ophuls

      Max Ophuls

      Lisa K. Broad
      December 2017
      Issue 85
    • Lindsay Anderson

      Lindsay Anderson

      Lisa K. Broad
      December 2017
      Issue 85
    more articles...
    Random
    • Steven Spielberg

      Lisa K. Broad
      February 2006
      Great Directors
      Issue 38
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Author Lisa K. Broad

Lisa K. Broad

Lisa K. Broad is a 5th year PhD candidate in the Cinema Studies Department at New York University. She is currently working on a dissertation about film and possible worlds. She has written about Robbe-Grillet’s La belle captive (1983) for Senses of Cinema.

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1924: Aelita: Queen of Mars (Yakov Protazanov)

Lisa K. Broad
November 2017
100 Years of Soviet Cinema
Issue 85
Yakov Protazanov’s 1924 film, Aelita, begins in December of 1921 with the worldwide transmission of a cryptic message. An iris revealing a set of powerlines is followed by a quick cut to an image of an...
thumb image

Aelita: Queen of Mars

Lisa K. Broad
April 2010
Cinémathèque Annotations on Film
Issue 54
Yakov Protazanov’s 1924 film, Aelita, begins in December of 1921 with the worldwide transmission of a cryptic message. An iris revealing a set of powerlines is followed by a quick cut to an image of an...
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Prisoners of Possibility: Robbe-Grillet’s La Belle Captive as ‘Quantum Text’

Lisa K. Broad
August 2008
Feature Articles
Issue 48
A detailed essay on Alain Robbe-Grillet’s René Magritte-inspired film derived from his 1975 picto-roman of the same title.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2018

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César Albarrán-Torres, Michelle Carey, Daniel Fairfax, Mark Freeman, David Heslin
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