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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Malcolm Cook
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Malcolm Cook
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Malcolm Cook
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Malcolm Cook
      October 2019
      Issue 92
    more articles...
    Random
    • Carnal Spirituality: the Films of Carlos Reygadas

      Malcolm Cook
      July 2010
      Feature Articles
      Issue 55
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Malcolm Cook
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Malcolm Cook
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Malcolm Cook
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Malcolm Cook
      October 2019
      Issue 92
    more articles...
    Random
    • “Il faut souffrir”; or, Why the personal was (mostly) not the political at the 69th Berlin International Film Festival

      Malcolm Cook
      March 2019
      Festival Reports
      Issue 90
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Malcolm Cook
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Malcolm Cook
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Malcolm Cook
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Malcolm Cook
      July 2019
      Issue 91
    more articles...
    Random
    • “The Image Will Come at the Time of the Resurrection”: Jean-Luc Godard: Cinema Historian by Michael Witt

      Malcolm Cook
      July 2014
      Book Reviews
      Issue 71
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Malcolm Cook
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Malcolm Cook
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Malcolm Cook
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Malcolm Cook
      October 2019
      Issue 92
    more articles...
    Random
    • Fitzcarraldo

      Fitzcarraldo (Werner Herzog, 1982): Waking Dreams and Casting Spells in the Jungle

      Malcolm Cook
      March 2016
      Cinémathèque Annotations on Film
      Issue 78
  • Great Directors
    Recent
    • Fei Mu

      Malcolm Cook
      October 2019
      Issue 92
    • Huston, John

      Malcolm Cook
      July 2019
      Issue 91
    • Stone, Oliver

      Malcolm Cook
      July 2019
      Issue 91
    • Klapisch, Cédric

      Malcolm Cook
      March 2019
      Issue 90
    more articles...
    Random
    • Angelopoulos, Theodoros

      Malcolm Cook
      July 2003
      Great Directors
      Issue 27
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Author Malcolm Cook

Malcolm Cook

Malcolm Cook holds a BA in Film and Literature from the University of Warwick and is currently studying for an MA in History of Film, Television and Visual Media at Birkbeck College, London.

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I… Dreaming

Malcolm Cook
July 2004
Cinémathèque Annotations on Film
Issue 32
I… Dreaming (1988 USA 7 mins) Filmmaker: Stan Brakhage Mus: Joel Haertling, Stephen Foster I… Dreaming occupies an atypical position within the work of Stan Brakhage. Out of nearly 400 films made...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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