Senses of Cinema logo
Search
Subscribe

Subscribe to Senses of Cinema to receive news of our latest cinema journal.
Enter your email address below:

Submit
  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Mandi Bialek-Wester
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Mandi Bialek-Wester
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Mandi Bialek-Wester
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Mandi Bialek-Wester
      December 2018
      Issue 89
    more articles...
    Random
    • Los Angeles Plays Itself: Paul Thomas Anderson's Inherent Vice

      Mandi Bialek-Wester
      March 2015
      Feature Articles
      Issue 74
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Mandi Bialek-Wester
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Mandi Bialek-Wester
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Mandi Bialek-Wester
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Mandi Bialek-Wester
      December 2018
      Issue 89
    more articles...
    Random
    • New Horizons film festival

      The 16th T-Mobile New Horizons International Film Festival: In Search of Emerging Auteur Cinema

      Mandi Bialek-Wester
      September 2016
      Festival Reports
      Issue 80
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Mandi Bialek-Wester
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Mandi Bialek-Wester
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Mandi Bialek-Wester
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Mandi Bialek-Wester
      December 2018
      Issue 89
    more articles...
    Random
    • World Cinema

      Understanding Genre in a Globalized World: World Cinema through Global Genres, by William V. Costanzo

      Mandi Bialek-Wester
      December 2015
      Book Reviews
      Issue 77
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Mandi Bialek-Wester
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Mandi Bialek-Wester
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Mandi Bialek-Wester
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Mandi Bialek-Wester
      October 2018
      Issue 88
    more articles...
    Random
    • The Horse Thief

      Marginalised Visions: Tian Zhuangzhuang’s The Horse Thief (Dao ma zei)

      Mandi Bialek-Wester
      May 2015
      Cinémathèque Annotations on Film
      Issue 74
  • Great Directors
    Recent
    • Takahata, Isao

      Mandi Bialek-Wester
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Mandi Bialek-Wester
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Mandi Bialek-Wester
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Mandi Bialek-Wester
      October 2018
      Issue 88
    more articles...
    Random
    • Noyce, Phillip

      Mandi Bialek-Wester
      February 2006
      Great Directors
      Issue 38
  • Podcast
  • Support us on Patreon
    • Thank you to our Patrons
  • Subscribe
Can you spare a few dollars to help us keep publishing outstanding writing on cinema?

Support us by joining our Patreon community and get heaps of rewards like e-Zines & bonus podcast content!

Join up now >>

  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Past Issues
  • Special Dossiers
  • World Poll
  • Advertisers
  • Proposals
  • Visit our Store
  • Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
  • Subscribe

Author Mandi Bialek-Wester

Mandi Bialek-Wester

Mandi Bialek-Wester is a Production Designer. She first met Sarah Stollman as an assistant on Life and went on to become her attachment on Radiance.

article placeholder

Interview with Sarah Stollman

Mandi Bialek-Wester
December 2002
Women at Work: Interviews with Australian Filmmakers
Issue 23
Esteemed production designer, Sarah Stollman, who has worked with such diverse directors as Todd Haynes and Rachel Perkins, talks freely here about her work, her process and her relationship with some of Australia's leading cinematographers and directors.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2018

    Staff Members

    Editors:
    César Albarrán-Torres, Michelle Carey, Daniel Fairfax, Mark Freeman, David Heslin
    Webmaster and Administrator:
    Bradley Dixon

    Donate to Senses

    Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

    Search

    • About Senses of Cinema
    • Contact Us
    • Privacy
    • Proposals
    • Advertisers
    • Staff