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	<title>Senses of Cinema &#187; Marco Abel</title>
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	<link>http://sensesofcinema.com</link>
	<description>Issue 62</description>
	<lastBuildDate>Thu, 26 Apr 2012 03:22:25 +0000</lastBuildDate>
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		<title>“‘I Build a Jigsaw Puzzle of a Dream-Germany’: An Interview with German Filmmaker Dominik Graf”</title>
		<link>http://sensesofcinema.com/2010/feature-articles/%e2%80%9c%e2%80%98i-build-a-jigsaw-puzzle-of-a-dream-germany%e2%80%99-an-interview-with-german-filmmaker-dominik-graf%e2%80%9d-2/</link>
		<comments>http://sensesofcinema.com/2010/feature-articles/%e2%80%9c%e2%80%98i-build-a-jigsaw-puzzle-of-a-dream-germany%e2%80%99-an-interview-with-german-filmmaker-dominik-graf%e2%80%9d-2/#comments</comments>
		<pubDate>Sun, 11 Jul 2010 14:33:42 +0000</pubDate>
		<dc:creator>Marco Abel</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 55]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3290</guid>
		<description><![CDATA[On the evidence of this absorbing and articulate interview alone, Dominik Graf is worthy of being better know outside the borders of the German speaking world. He not only offers insights into his own filmmaking practice and aesthetic, but also a range of fascinating observations covering the last forty or so years of German cinema and cultural history. ]]></description>
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		<title>“There is no Authenticity in the Cinema!”: An Interview with Andreas Dresen</title>
		<link>http://sensesofcinema.com/2009/50/andreas-dresen-interview/</link>
		<comments>http://sensesofcinema.com/2009/50/andreas-dresen-interview/#comments</comments>
		<pubDate>Tue, 14 Apr 2009 12:16:47 +0000</pubDate>
		<dc:creator>Marco Abel</dc:creator>
				<category><![CDATA[Conversations on Film]]></category>
		<category><![CDATA[Issue 50]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2521</guid>
		<description><![CDATA[Dresen has directed eight feature films and, as Abel reveals, “Is one of the rare successful contemporary German directors who was born and raised in the GDR [former East Germany] and has managed to adjust to the market-driven rules of filmmaking characteristic of reunified Germany.”]]></description>
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		<title>Tender Speaking: An Interview with Christoph Hochhäusler</title>
		<link>http://sensesofcinema.com/2007/42/christoph-hochhausler/</link>
		<comments>http://sensesofcinema.com/2007/42/christoph-hochhausler/#comments</comments>
		<pubDate>Tue, 13 Feb 2007 06:12:24 +0000</pubDate>
		<dc:creator>Marco Abel</dc:creator>
				<category><![CDATA[Cinema Engagé]]></category>
		<category><![CDATA[Issue 42]]></category>
		<category><![CDATA[Christoph Hochhäusler]]></category>
		<category><![CDATA[interview]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2864</guid>
		<description><![CDATA[French critics coined the term <em>Nouvelle Vague Allemande</em> in response to the rise of a new wave of filmmaking in Germany. In this wide-ranging interview, the filmmaker and co-editor of the magazine <em>Revolver</em> discusses the current state of German cinema in the light of its history, and the cultural and æsthetic ideas that impact on his films and thinking]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The State of Things Part Two: More Images for a Post-Wall German Reality: The 56th Berlin Film Festival</title>
		<link>http://sensesofcinema.com/2006/festival-reports/berlin2006/</link>
		<comments>http://sensesofcinema.com/2006/festival-reports/berlin2006/#comments</comments>
		<pubDate>Fri, 05 May 2006 04:23:53 +0000</pubDate>
		<dc:creator>Marco Abel</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 39]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=2100</guid>
		<description><![CDATA[February 10–20, 2006 Last year, I took the opportunity to write for this journal on the state of affairs of contemporary German cinema in the form of a festival report on the 55th Berlin Film Festival. At the time, I advanced two basic propositions: one, that German film, traditionally one of the pillars of world ]]></description>
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		<title>Images for a Post-Wall Reality: New German Films at the 55th Berlin Film Festival</title>
		<link>http://sensesofcinema.com/2005/festival-reports/berlin2005/</link>
		<comments>http://sensesofcinema.com/2005/festival-reports/berlin2005/#comments</comments>
		<pubDate>Fri, 15 Apr 2005 19:20:00 +0000</pubDate>
		<dc:creator>Marco Abel</dc:creator>
				<category><![CDATA[Festival Reports]]></category>
		<category><![CDATA[Issue 35]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3472</guid>
		<description><![CDATA[February 10–20, 2005 (1) One of the remarkable aspects of the state of contemporary film discourse on world cinema is that one of its traditional pillars – that of German cinema – has almost completely fallen off the radar. Regularly scouring many of the leading academic and non-academic film journals and magazines published in English, ]]></description>
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