article placeholder

Charlie’s Angels

It's a fair bet that everyone has a friend or relative like this: the funny, endearing, goofy one that always seems somehow out of step with everyone else. They dress wrong, find themselves in impossibly...
article placeholder

Snatch

(Guy Ritchie, 2000) In the wake of Tarantino's Pulp Fiction (1994), a spate of films have aimed to replicate its jazzy, frantic style, its knowing self-referentiality with their own representations of...
article placeholder

Rules of Engagement

(William Friedkin, 2000) If mainstream American cinema acts as any guide, the US clearly harbours a great admiration for all things military. Somewhere buried in the psychology of this nation lies a...