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	<title>Senses of Cinema &#187; Marko Bauer</title>
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	<description>Issue 62</description>
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		<title>Thank God We Don&#8217;t Have a Pope: Habemus Papam, Moretti&#8217;s Apocalypse</title>
		<link>http://sensesofcinema.com/2013/feature-articles/thank-god-we-dont-have-a-pope-habemus-papam-morettis-apocalypse/</link>
		<comments>http://sensesofcinema.com/2013/feature-articles/thank-god-we-dont-have-a-pope-habemus-papam-morettis-apocalypse/#comments</comments>
		<pubDate>Sun, 17 Mar 2013 00:45:59 +0000</pubDate>
		<dc:creator>Marko Bauer</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 66 | March 2013]]></category>
		<category><![CDATA[Habemus Papam]]></category>
		<category><![CDATA[Nanni Moretti]]></category>
		<category><![CDATA[We Have a Pope]]></category>

		<guid isPermaLink="false">http://sensesofcinema.com/?p=16251</guid>
		<description><![CDATA[“As nihilism becomes more and more the norm, the symbols of emptiness spread much more terror than those of power do.” – Ernst Jünger One nearly misses Habemus Papam (We Have a Pope, 2011) for the reason absent from it. Although the film is the very antithesis of The King&#8217;s Speech (Tom Hooper, 2010), which ]]></description>
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		<title>Pure West: Drive, nostalgia for postmodernism</title>
		<link>http://sensesofcinema.com/2012/feature-articles/pure-west-drive-nostalgia-for-postmodernism/</link>
		<comments>http://sensesofcinema.com/2012/feature-articles/pure-west-drive-nostalgia-for-postmodernism/#comments</comments>
		<pubDate>Sun, 22 Jul 2012 04:48:46 +0000</pubDate>
		<dc:creator>Marko Bauer</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 63 | July 2012]]></category>
		<category><![CDATA[Drive]]></category>
		<category><![CDATA[Nicolas Winding Refn]]></category>

		<guid isPermaLink="false">http://sensesofcinema.com/?p=11831</guid>
		<description><![CDATA[It is a one way street and there, Walter Benjamin says: “What, in the end, makes advertisements so superior to criticism? Not what the moving red neon sign says – but the fiery pool reflecting it in the asphalt.” The message is an endless proliferation, reproduction, a reflection of a reflection of a reflection. Nothing ]]></description>
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		<title>“Even God Was Overcome by Laziness”: An interview with Aleksandr Sokurov</title>
		<link>http://sensesofcinema.com/2011/feature-articles/%e2%80%9ceven-god-was-overcome-by-laziness%e2%80%9d-an-interview-with-aleksandr-sokurov/</link>
		<comments>http://sensesofcinema.com/2011/feature-articles/%e2%80%9ceven-god-was-overcome-by-laziness%e2%80%9d-an-interview-with-aleksandr-sokurov/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 06:15:04 +0000</pubDate>
		<dc:creator>Marko Bauer</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 61 | December 2011]]></category>

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		<description><![CDATA[A true poet of the cinema, the director of, amongst others, <em>Russian Ark</em> and <em>The Sun</em>, talks philosophy, religion, aesthetics and the Russian soul]]></description>
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		<title>Son of Atlantis: prologues and epilogues with Sokurov</title>
		<link>http://sensesofcinema.com/2011/feature-articles/son-of-atlantis-prologues-and-epilogues-with-sokurov/</link>
		<comments>http://sensesofcinema.com/2011/feature-articles/son-of-atlantis-prologues-and-epilogues-with-sokurov/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 06:10:17 +0000</pubDate>
		<dc:creator>Marko Bauer</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 61 | December 2011]]></category>

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		<description><![CDATA[Using interview footage of Sokurov and combining it with other elements, the filmmakers produce a contemplative video-essay on the director]]></description>
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		<title>Like Tears in… Brain</title>
		<link>http://sensesofcinema.com/2011/feature-articles/like-tears-in%e2%80%a6-brain/</link>
		<comments>http://sensesofcinema.com/2011/feature-articles/like-tears-in%e2%80%a6-brain/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 04:57:38 +0000</pubDate>
		<dc:creator>Marko Bauer</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 61 | December 2011]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=10200</guid>
		<description><![CDATA[“The brain is the flesh.” Using ‘Artaud-Deleuze’ as a guide, Marko Bauer traverses the cerebral territory of Gaspar Noé’s film. Enter at your peril. ]]></description>
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		<title>“Films are vulgar. And this vulgarity, I love it”: An Interview with Arnaud Desplechin</title>
		<link>http://sensesofcinema.com/2010/feature-articles/%e2%80%9cfilms-are-vulgar-and-this-vulgarity-i-love-it%e2%80%9d-an-interview-with-arnaud-desplechin/</link>
		<comments>http://sensesofcinema.com/2010/feature-articles/%e2%80%9cfilms-are-vulgar-and-this-vulgarity-i-love-it%e2%80%9d-an-interview-with-arnaud-desplechin/#comments</comments>
		<pubDate>Mon, 11 Oct 2010 10:45:27 +0000</pubDate>
		<dc:creator>Marko Bauer</dc:creator>
				<category><![CDATA[Feature Articles]]></category>
		<category><![CDATA[Issue 56 | October 2010]]></category>

		<guid isPermaLink="false">http://www.sensesofcinema.com/?p=3478</guid>
		<description><![CDATA[In this free-form interview the director of <em>A Christmas Tale</em>, <em>King and Queens</em>, amongst others, discusses everything from Truffaut and Godard, Stanley Cavell and disaster movies, Nietzsche and Italo Calvino, Jean Gabin and hip-hop, and more]]></description>
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