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  • Features
    Recent
    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Marsha McCreadie
      December 2018
      Issue 89
    • Audience and Performance in Kid Auto Races at Venice

      Marsha McCreadie
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Marsha McCreadie
      December 2018
      Issue 89
    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Marsha McCreadie
      December 2018
      Issue 89
    more articles...
    Random
    • Max Hattler animations

      Persistent Abstraction: the Animated Works of Max Hattler

      Marsha McCreadie
      September 2015
      Feature Articles
      Issue 76
  • Festival Reports
    Recent
    • #Youmustsee: The 2018 Adelaide International Film Festival

      Marsha McCreadie
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Marsha McCreadie
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Marsha McCreadie
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Marsha McCreadie
      December 2018
      Issue 89
    more articles...
    Random
    • Open Your Ears: The Sound of Music, Talking, and Foley at the 3rd Annual Jornada Brasileira de Cinema Silencioso

      Marsha McCreadie
      December 2009
      Festival Reports
      Issue 53
  • Book Reviews
    Recent
    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Marsha McCreadie
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Marsha McCreadie
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Marsha McCreadie
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Marsha McCreadie
      December 2018
      Issue 89
    more articles...
    Random
    • The Horror Sensorium by Angela Ndalianis

      Marsha McCreadie
      December 2013
      Book Reviews
      Issue 69
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Marsha McCreadie
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Marsha McCreadie
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Marsha McCreadie
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Marsha McCreadie
      October 2018
      Issue 88
    more articles...
    Random
    • Love and Suffocation in Man Is Not a Bird (Dušan Makavejev, 1965)

      Marsha McCreadie
      October 2018
      Cinémathèque Annotations on Film
      Issue 88
  • Great Directors
    Recent
    • Takahata, Isao

      Marsha McCreadie
      December 2018
      Issue 89
    • Dovzhenko, Alexander

      Marsha McCreadie
      December 2018
      Issue 89
    • Weerasethakul, Apichatpong

      Marsha McCreadie
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Marsha McCreadie
      October 2018
      Issue 88
    more articles...
    Random
    • Gilliam, Terry

      Marsha McCreadie
      December 2003
      Great Directors
      Issue 29
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Author Marsha McCreadie

Marsha McCreadie

Marsha McCreadie teaches documentary film at Fordham University at Lincoln Center. Her book publications include Women on Film: the Critical Eye (Praeger, 1980), The Women Who Write the Movies (Birch Lane Press, 1995), Women Screenwriters Today: Their Lives and Words (Praeger, 2006), and most recently, Documentary Superstars: How they Are Inventing the Form (Allworth Press, 2009).

article placeholder

Petra’s Place

Marsha McCreadie
July 2010
Feature Articles
Issue 55
An apartment, several women, and much angst make up the elements to one of Rainer Werner Fassbinder’s most alluring and contentious films.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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