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  • Features
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    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Michael C. Riedlinger
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Michael C. Riedlinger
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

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      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

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      Issue 86
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    • Under the Skin

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    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

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      Issue 86
    • AFI AFM 2017

      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Michael C. Riedlinger
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      Issue 86
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      Issue 86
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    • BAFICI 2016

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    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Michael C. Riedlinger
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      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Michael C. Riedlinger
      March 2018
      Issue 86
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Michael C. Riedlinger
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      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

      Michael C. Riedlinger
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    • Widescreen Worldwide edited by John Belton, Sheldon Hall and Steve Neale

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      October 2011
      Book Reviews
      Issue 60
  • CTEQ
    Recent
    • Diary of a Chambermaid

      Diary of a Chambermaid

      Michael C. Riedlinger
      March 2018
      Issue 86
    • Les Amants

      Les Amants

      Michael C. Riedlinger
      March 2018
      Issue 86
    • bay of angels

      La Baie des Anges

      Michael C. Riedlinger
      March 2018
      Issue 86
    • Eva (Joseph Losey, 1962)

      Michael C. Riedlinger
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      Issue 86
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    • A Place in the Sun

      Inside the outsider’s skin: Montgomery Clift in A Place in the Sun (1951)

      Michael C. Riedlinger
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  • Great Directors
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      Michael C. Riedlinger
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      Lindsay Anderson

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    • Alfred Hitchcock

      Michael C. Riedlinger
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Author Michael C. Riedlinger

Michael C. Riedlinger

Michael C. Riedlinder recently graduated Summa Cum Laude from the University of Wisconsin Parkside with a degree in Writing, Film Studies, and Art History. He is a member of the Milwaukee Press Club, a published fiction writer, and the proud father of three children with unpronounceable Gaelic names.

thumb image

Orson Welles – Painter

Michael C. Riedlinger
December 2009
Feature Articles
Issue 53
Citizen Kane, rightly so, owes much of its fame to its deep-focus effects, but Orson Welles’ staging of shots also points to a whole host of pictorial references. Michael Riedlinger’s analysis uncovers Welles’ ‘painterly’ eye for composition.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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