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  • Features
    Recent
    • Some thoughts on the erotic aesthetic in Luca Guadagnino’s ‘Desire Trilogy’

      Michael Cramer
      March 2018
      Issue 86
    • Ventura Pons interview

      “A Film is a Synthesis”: An Interview with Ventura Pons

      Michael Cramer
      March 2018
      Issue 86
    • Sustaining a Cinema of Modest Means: An Interview with Ted Fendt, Ricky D’Ambrose and Graham Swon

      Michael Cramer
      March 2018
      Issue 86
    • Roskam Feature Image

      Le Fidèle as a Postmodern Love Romance: The Flemish Crime Dramas of Michaël R. Roskam

      Michael Cramer
      March 2018
      Issue 86
    more articles...
    Random
    • The “Squaw Man” Western

      Michael Cramer
      March 2014
      Feature Articles
      Issue 70
  • Festival Reports
    Recent
    • International Film Festival Rotterdam 2018

      Rotterdam – Delete/Ignore: locating gremlins and glitches in the machine. Or, how I met the humans and parasites of Planet IFFR

      Michael Cramer
      March 2018
      Issue 86
    • AFI AFM 2017

      AFM/AFI FEST 2017: Magic Women, Haptic Men

      Michael Cramer
      March 2018
      Issue 86
    • Ânûû-rû Âboro: The Festival of Peoples’ Cinema

      Michael Cramer
      March 2018
      Issue 86
    • A Tale of Two Festivals: International Film Festival of India and Experimenta

      Michael Cramer
      March 2018
      Issue 86
    more articles...
    Random
    • Where More Meets MORE: The 37th Toronto International Film Festival

      Michael Cramer
      November 2012
      Festival Reports
      Issue 65
  • Book Reviews
    Recent
    • jean rollin

      Iron Roses: Lost Girls: The Phantasmagorgical Cinema of Jean Rollin, ed. Samm Deighan

      Michael Cramer
      March 2018
      Issue 86
    • troubled everyday

      From the Banal to the Extreme… and Back Again: Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor

      Michael Cramer
      March 2018
      Issue 86
    • cinema hypothesis

      The Cinema Hypothesis: Teaching Cinema in the Classroom and Beyond, by Alain Bergala

      Michael Cramer
      March 2018
      Issue 86
    • slums on screen

      Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

      Michael Cramer
      March 2018
      Issue 86
    more articles...
    Random
    • Transnational Australian Cinema: Ethics in the Asian Diasporas by Olivia Khoo, Belinda Smaill, and Audrey Yue

      Michael Cramer
      March 2014
      Book Reviews
      Issue 70
  • CTEQ
    Recent
    • Diary of a Chambermaid

      Diary of a Chambermaid

      Michael Cramer
      March 2018
      Issue 86
    • Les Amants

      Les Amants

      Michael Cramer
      March 2018
      Issue 86
    • bay of angels

      La Baie des Anges

      Michael Cramer
      March 2018
      Issue 86
    • Eva (Joseph Losey, 1962)

      Michael Cramer
      March 2018
      Issue 86
    more articles...
    Random
    • Stirring the Ripples: Wu Tianming’s The Old Well (Lao jing)

      Michael Cramer
      May 2015
      Cinémathèque Annotations on Film
      Issue 74
  • Great Directors
    Recent
    • Chantal Akerman

      Chantal Akerman

      Michael Cramer
      February 2018
      Issue 86
    • Sergei Eisenstein

      Sergei Eisenstein

      Michael Cramer
      December 2017
      Issue 85
    • Max Ophuls

      Max Ophuls

      Michael Cramer
      December 2017
      Issue 85
    • Lindsay Anderson

      Lindsay Anderson

      Michael Cramer
      December 2017
      Issue 85
    more articles...
    Random
    • Hiroshi Teshigahara

      Michael Cramer
      May 2003
      Great Directors
      Issue 26
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Author Michael Cramer

Michael Cramer

Michael Cramer holds a PhD from Yale University's combined program in Comparative Literature and Film Studies. He has taught film at Yale, Princeton, and SUNY-Purchase College and will join the faculty of Sarah Lawrence College this fall. His book Utopian Television, which deals with the television works of Godard, Rossellini, and Peter Watkins, is forthcoming from University of Minnesota Press.

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1929: The New Babylon (Grigori Kozinstev and Leonid Trauberg)

Michael Cramer
December 2017
100 Years of Soviet Cinema
Issue 85
“We’ll Come Back to Paris!”: The New Babylon Novyy Vavilon (The New Babylon, 1929) is the fifth feature film produced by the FEKS (“Factory of the Eccentric Actor”) group, founded in 1922 by...
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Smorgasbord (1983)

Michael Cramer
July 2016
Deconstructing Jerry: Lewis as Director
Issue 79
“Au revoir, Dummy!”: A Smorgasbord of Suffering It seems fitting that Jerry’s Lewis’ final film as director, Smorgasbord (1983, released on home video under the title Cracking Up), should begin with a...
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“…what I was seeking in my history of cinema was to be less alone”: Introduction to a True History of Cinema and Television by Jean-Luc Godard (trans. and ed. Timothy Barnard)

Michael Cramer
June 2015
Book Reviews
Issue 75
Caboose Books’ edition of Jean-Luc Godard’s Introduction to a True History of Cinema and Television, translated and edited by Timothy Barnard, collects the lectures that Godard delivered between April and...

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