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  • Features
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    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Michael Filippidis
      December 2018
      Issue 89
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      Michael Filippidis
      December 2018
      Issue 89
    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Michael Filippidis
      December 2018
      Issue 89
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      Michael Filippidis
      December 2018
      Issue 89
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      Cruel Weapons: On the Music Video Collaborations of Bob Dylan and Nash Edgerton

      Michael Filippidis
      May 2017
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      Issue 83
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    • #Youmustsee: The 2018 Adelaide International Film Festival

      Michael Filippidis
      December 2018
      Issue 89
    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Michael Filippidis
      December 2018
      Issue 89
    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Michael Filippidis
      December 2018
      Issue 89
    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Michael Filippidis
      December 2018
      Issue 89
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    • “Screen Worship”: The 2013 Adelaide Film Festival

      Michael Filippidis
      December 2013
      Festival Reports
      Issue 69
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    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Michael Filippidis
      December 2018
      Issue 89
    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Michael Filippidis
      December 2018
      Issue 89
    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Michael Filippidis
      December 2018
      Issue 89
    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Michael Filippidis
      December 2018
      Issue 89
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    • Mise en Scène and Film Style: From Classical Hollywood to New Media Art, by Adrian Martin

      Michael Filippidis
      July 2016
      Book Reviews
      Issue 79
  • CTEQ
    Recent
    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Michael Filippidis
      February 2019
    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Michael Filippidis
      February 2019
    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Michael Filippidis
      October 2018
      Issue 88
    • Hail (Amiel Courtin-Wilson, 2011)

      Michael Filippidis
      October 2018
      Issue 88
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    • The Roaring Twenties

      The Roaring Twenties (Raoul Walsh, 1939)

      Michael Filippidis
      September 2017
      Cinémathèque Annotations on Film
      Issue 84
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      Michael Filippidis
      December 2018
      Issue 89
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      Michael Filippidis
      December 2018
      Issue 89
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      Michael Filippidis
      October 2018
      Issue 88
    • Oliveira, Manoel de

      Michael Filippidis
      October 2018
      Issue 88
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    • Kluge, Alexander

      Michael Filippidis
      July 2003
      Great Directors
      Issue 27
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Author Michael Filippidis

Michael Filippidis

Michael Filippidis is a freelancer writer on film and former Secretary of the Melbourne Cinematheque Inc.

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On Malick’s Subjects

Michael Filippidis
July 2000
Terrence Malick
Issue 8
A study of how the men in Malick's films always die young.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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