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  • Features
    Recent
    • Spring Breakers

      Blow Guns: Escapist Erotics in Spring Breakers (Harmony Korine, 2012)

      Lilia Kilburn
      June 2017
      Issue 83
    • Marianna Economou interview

      In the Cells of Fortress Europe: An Interview with Marianna Economou, director of The Longest Run

      Thomas Austin
      June 2017
      Issue 83
    • Elle The Salesman

      Shame and Revenge in Elle’s Paris and The Salesman’s Tehran

      Kaveh Bassiri
      June 2017
      Issue 83
    • Teddy Williams interview

      The Explorer: An Interview with Teddy Williams

      Iván Zgaib
      June 2017
      Issue 83
    more articles...
    Random

    • Surface Play and Subterfuge: The Closed World of Masahiro Shinoda’s Cinema

      Michael Talbott
      December 2011
      Feature Articles
      Issue 61
  • Festival Reports
    Recent
    • Cannes 2017

      What is the Cinema?: The 2017 Cannes Film Festival

      Daniel Fairfax
      June 2017
      Issue 83
    • Short Film Festival Oberhausen 2017

      No Service, Keep Moving: The 63rd International Short Film Festival Oberhausen

      Tara Judah
      June 2017
      Issue 83
    • Pan African Film Festival 2017

      Pan African Film Festival 2017

      Bérénice Reynaud
      June 2017
      Issue 83
    • Punto de Vista 2017

      Ars Moriendi, or How To Film a Sculpture: The 11th Punto de Vista Festival

      Jay Kuehner
      June 2017
      Issue 83
    more articles...
    Random

    • Sheer Playfulness and Deadly Seriousness: On Watching Avant-Garde Shorts at the 43rd International Film Festival Rotterdam

      Michael Talbott
      March 2014
      Festival Reports
      Issue 70
  • Book Reviews
    Recent
    • Steven Spielberg: A Life in Films

      From Reverence to Spielberg: Steven Spielberg: A Life in Films by Molly Haskell

      Adrian Schober
      June 2017
      Issue 83
    • The Films of Budd Boetticher

      Western/Non-Western Approaches: Refocus: The Films of Budd Boetticher by Gary D. Rhodes and Robert Singer (eds.)

      Dean Brandum
      June 2017
      Issue 83
    • Lacan and Film Noir

      Actively Retroactive: On the Couch with Film Noir: Out of the Past: Lacan and Film Noir by Ben Tyrer

      Shannon Scott
      June 2017
      Issue 83
    • Daech Comolli

      Cinema against Cinema: Daech, le cinéma et la mort by Jean-Louis Comolli

      Daniel Fairfax
      June 2017
      Issue 83
    more articles...
    Random

    • From Bombay to Bollywood and beyond: Global Bollywood: Travels of Hindi Song and Dance edited by Sangita Gopal and Sujata Moorti

      Michael Talbott
      April 2010
      Book Reviews
      Issue 54
  • CTEQ
    Recent
    • Maborosi

      A Woman Asks Why: Maborosi (Hirokazu Koreeda, 1995)

      Joseph Sgammato
      June 2017
      Issue 83
    • I Wish

      I Wish (Hirokazu Koreeda, 2011)

      MaoHui Deng
      June 2017
      Issue 83
    • After Life

      How Film Remembers: After Life (Hirokazu Koreeda, 1998)

      Kristi McKim
      June 2017
      Issue 83
    • Still Walking

      Still Walking (Hirokazu Koreeda, 2008): Continuity in (E)motion

      Tara Judah
      June 2017
      Issue 83
    more articles...
    Random

    • “People are waiting”: Elia Kazan and America America

      Michael Talbott
      March 2012
      Cinémathèque Annotations on Film
      Issue 62
  • Great Directors
    Recent
    • Béla Tarr

      Béla Tarr

      Jeremy Carr
      June 2017
      Issue 83
    • George Miller

      George Miller

      James Robert Douglas
      June 2017
      Issue 83
    • Phil Karlson

      Phil Karlson

      Wheeler Winston Dixon
      June 2017
      Issue 83
    • Dennis Hopper

      Dennis Hopper

      Joanna Elena Batsakis
      March 2017
      Issue 82
    more articles...
    Random

    • Neil Jordan

      Michael Talbott
      July 2012
      Great Directors
      Issue 63
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Author Michael Talbott

Michael Talbott

Michael Talbott is a Cinema Studies Ph.D. Candidate, Tisch School of the Arts, New York University.

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Joaquim Pedro de Andrade

Michael Talbott
September 2009
Great Directors
Issue 52

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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