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  • Features
    Recent

    • The Sense of Feminism Then and Now: Yours in Sisterhood (2018) and Embodied Listening in the Cinema Praxis of Irene Lusztig

      Michael Talbott
      December 2018
      Issue 89

    • Audience and Performance in Kid Auto Races at Venice

      Michael Talbott
      December 2018
      Issue 89

    • Over-identification in The Castle: Recovering an Australian Classic’s Subversive Edge

      Michael Talbott
      December 2018
      Issue 89

    • Four Years of the Nitrate Picture Show, Part 1: Beautiful Colour – Tinting and Toning

      Michael Talbott
      December 2018
      Issue 89
    more articles...
    Random
    • Philip Scheffner interview

      A Shared Space at Eye Level: An Interview with Documentary Filmmaker Philip Scheffner

      Michael Talbott
      March 2016
      Feature Articles
      Issue 78
  • Festival Reports
    Recent

    • #Youmustsee: The 2018 Adelaide International Film Festival

      Michael Talbott
      December 2018
      Issue 89

    • Towards the De-masculinisation of Korean Cinema: The 23rd Busan International Film Festival

      Michael Talbott
      December 2018
      Issue 89

    • Between Hollywood and the Socialist/Colonial East: The 5th Hanoi International Film Festival

      Michael Talbott
      December 2018
      Issue 89

    • Film Culture and Corporate Enterprise at the 62nd BFI London Film Festival

      Michael Talbott
      December 2018
      Issue 89
    more articles...
    Random

    • Hawksian Girls Meet Weimar Cinema at 25th Cinema Ritrovato

      Michael Talbott
      October 2011
      Festival Reports
      Issue 60
  • Book Reviews
    Recent

    • Beyond Thumbs Up or Down: Aesthetic Evaluation and Film, by Andrew Klevan

      Michael Talbott
      December 2018
      Issue 89

    • Film in a Multiple Mirror: Reframing Luchino Visconti: Film and Art by Ivo Blom

      Michael Talbott
      December 2018
      Issue 89

    • McCarthyism’s Hollywood Year: Show Trial: Hollywood, HUAC, and the Birth of the Blacklist, by Thomas Doherty

      Michael Talbott
      December 2018
      Issue 89

    • The Semiotics of Wes Anderson: Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, by Warren Buckland

      Michael Talbott
      December 2018
      Issue 89
    more articles...
    Random
    • Pretty Little Liars

      Teen Film: A Critical Introduction by Catherine Driscoll

      Michael Talbott
      June 2012
      Book Reviews
      Issue 63
  • CTEQ
    Recent

    • See, Hear, and Speak of Evil: Three Monkeys (Nuri Bilge Ceylan, 2008)

      Michael Talbott
      February 2019

    • Fractured Images and Tainted Dreams: Sergio Leone’s Once upon a Time in America

      Michael Talbott
      February 2019

    • Ida Lupino’s Hard Noir: Private Hell 36 (Don Siegel, 1954)

      Michael Talbott
      October 2018
      Issue 88

    • Hail (Amiel Courtin-Wilson, 2011)

      Michael Talbott
      October 2018
      Issue 88
    more articles...
    Random

    • Bells From the Deep: Faith and Superstition in Russia

      Michael Talbott
      May 2013
      Cinémathèque Annotations on Film
      Issue 67
  • Great Directors
    Recent

    • Takahata, Isao

      Michael Talbott
      December 2018
      Issue 89

    • Dovzhenko, Alexander

      Michael Talbott
      December 2018
      Issue 89

    • Weerasethakul, Apichatpong

      Michael Talbott
      October 2018
      Issue 88

    • Oliveira, Manoel de

      Michael Talbott
      October 2018
      Issue 88
    more articles...
    Random

    • Lye, Len

      Michael Talbott
      May 2007
      Great Directors
      Issue 43
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Author Michael Talbott

Michael Talbott

Michael Talbott is a Cinema Studies Ph.D. Candidate, Tisch School of the Arts, New York University.

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de Andrade, Joaquim Pedro

Michael Talbott
September 2009
Great Directors
Issue 52

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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