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  • Features
    Recent

    • The lecturer’s legacy: In memory of Professor Peter Wollen

      Michael Talbott
      January 2020
      Issue 93

    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Michael Talbott
      October 2019
      Issue 92

    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Michael Talbott
      October 2019
      Issue 92

    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Michael Talbott
      October 2019
      Issue 92
    more articles...
    Random
    • Michel Chion

      The Audio-Spectator: An Interview with Michel Chion

      Michael Talbott
      September 2017
      Feature Articles
      Issue 84
  • Festival Reports
    Recent

    • Korean Cinema in the Shadow of Parasite: The 24th Busan International Film Festival

      Michael Talbott
      January 2020
      Issue 93

    • Dispatch from Reykjavík: Hot Films at a Cool Festival

      Michael Talbott
      January 2020
      Issue 93

    • StopTrik from Head to Toe and the Eisenstein International Network

      Michael Talbott
      January 2020
      Issue 93

    • About the Cliché in Films, or the Opportunity for a New Consciousness at a German Film Festival: A Report on the FilmFest Hamburg

      Michael Talbott
      January 2020
      Issue 93
    more articles...
    Random

    • Neither Subordinate to the Other: the 10th I Mille Occhi festival

      Michael Talbott
      December 2011
      Festival Reports
      Issue 61
  • Book Reviews
    Recent

    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Michael Talbott
      October 2019
      Issue 92

    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Michael Talbott
      October 2019
      Issue 92

    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Michael Talbott
      October 2019
      Issue 92

    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Michael Talbott
      July 2019
      Issue 91
    more articles...
    Random

    • The Mouse Machine: Disney and Technology by J.P. Telotte

      Michael Talbott
      December 2009
      Book Reviews
      Issue 53
  • CTEQ
    Recent

    • Death in an Italian Garden: The Garden of the Finzi-Continis (Vittorio De Sica, 1970)

      Michael Talbott
      February 2020
      Issue 93

    • Resisting War and Patriarchy: Two Women (Vittorio De Sica, 1960)

      Michael Talbott
      February 2020
      Issue 93

    • The Flipside of Neorealism: Miracle in Milan (Vittorio De Sica, 1951)

      Michael Talbott
      February 2020
      Issue 93

    • The Tribulations of the Working Class: Bicycle Thieves (Vittorio De Sica, 1948)

      Michael Talbott
      February 2020
      Issue 93
    more articles...
    Random
    • The Marquise of O

      Die Marquise von O… (La Marquise d’O…, The Marquise of O, Éric Rohmer, 1976)

      Michael Talbott
      March 2017
      Cinémathèque Annotations on Film
      Issue 82
  • Great Directors
    Recent

    • Fei Mu

      Michael Talbott
      October 2019
      Issue 92

    • Huston, John

      Michael Talbott
      July 2019
      Issue 91

    • Stone, Oliver

      Michael Talbott
      July 2019
      Issue 91

    • Klapisch, Cédric

      Michael Talbott
      March 2019
      Issue 90
    more articles...
    Random
    • Masaki Kobayashi

      Kobayashi, Masaki

      Michael Talbott
      July 2016
      Great Directors
      Issue 79
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Author Michael Talbott

Michael Talbott

Michael Talbott is a Cinema Studies Ph.D. Candidate, Tisch School of the Arts, New York University.

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de Andrade, Joaquim Pedro

Michael Talbott
September 2009
Great Directors
Issue 52

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Michelle Carey • Bradley Dixon • Daniel Fairfax • Mark Freeman • David Heslin

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