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  • Features
    Recent
    • Cristi Puiu

      “A World that Killed God”: An Interview with Cristi Puiu

      Andreea Patru
      September 2017
      Issue 84
    • Summer of Sam

      Start Spreading the News: Summer of Sam (Spike Lee, 1999) and the ‘70s White Working Class

      Jackson Arn
      September 2017
      Issue 84
    • Cosmopolis

      “I Reach Out My Hand and What Do I Feel?”: Thematising Digitisation in Cronenberg’s Cosmopolis

      James Slaymaker
      September 2017
      Issue 84
    • The Vitagraph Girl

      “The Vitagraph Girl” or “The Girl From Sheepshead Bay”?: Florence Turner Constructed as an Everywoman Matinee Idol

      David Morton
      September 2017
      Issue 84
    more articles...
    Random
    • Psycho

      Shock, Horror, Spirit: Hitchcock’s Psycho (1960): Part One

      Michael Talbott
      September 2016
      Feature Articles
      Issue 80
  • Festival Reports
    Recent
    • The 2017 Melbourne International Film Festival

      Faces, Places: The 2017 Melbourne International Film Festival

      Joanna Di Mattia
      September 2017
      Issue 84
    • Cinema Ritrovato 2017

      Cinema Ritrovato 2017

      Peter Hourigan
      September 2017
      Issue 84

    • Eastern Blooms in Karlovy Vary

      Carmen Gray
      September 2017
      Issue 84
    • Fantasia International Film Festival 2017

      Fantasia International Film Festival

      Justine Smith
      September 2017
      Issue 84
    more articles...
    Random
    • Cinema Ritrovato 2017

      Cinema Ritrovato 2017

      Michael Talbott
      September 2017
      Festival Reports
      Issue 84
  • Book Reviews
    Recent
    • Eric Rohmer

      A life with no story: Eric Rohmer: A Biography, by Antoine de Baecque and Noël Herpe

      Tamara Tracz
      September 2017
      Issue 84
    • Abbas Kiarostami

      Sceptical Oscillations: Abbas Kiarostami and Film-Philosophy, by Matthew Abbott

      Tony McKibbin
      September 2017
      Issue 84
    • Flesh and Excess

      Towards a History of Visceral Cinema: Flesh and Excess: On Underground Film, by Jack Sargeant

      Giuliano Vivaldi
      September 2017
      Issue 84
    • The Invention of Robert Bresson

      Bresson in the Marketplace: The Invention of Robert Bresson, by Colin Burnett

      Hayashi Umineko
      September 2017
      Issue 84
    more articles...
    Random

    • The Newest New Wave: New Austrian Film edited by Robert von Dassanowsky and Oliver C. Speck

      Michael Talbott
      March 2012
      Book Reviews
      Issue 62
  • CTEQ
    Recent
    • An Angel at my table

      An Angel at My Table (Jane Campion, 1990)

      Isabella McNeill
      September 2017
      Issue 84
    • In The Cut

      In the Cut (Jane Campion, 2003)

      David Richard
      September 2017
      Issue 84
    • Sieranevada

      The Matroyshka Doll of Laughter and Uncertainty: Cristi Puiu’s Sieranevada (2016)

      José Sarmiento-Hinojosa
      September 2017
      Issue 84
    • Peel

      An Exercise in Discipline: Peel (Jane Campion, 1982)

      Faith Everard
      September 2017
      Issue 84
    more articles...
    Random

    • Framing the Heavy Weight of History: Yellow Earth

      Michael Talbott
      May 2015
      Cinémathèque Annotations on Film
      Issue 74
  • Great Directors
    Recent
    • Terence Davies

      Terence Davies

      Joanna Di Mattia
      August 2017
      Issue 84
    • Béla Tarr

      Béla Tarr

      Jeremy Carr
      June 2017
      Issue 83
    • George Miller

      George Miller

      James Robert Douglas
      June 2017
      Issue 83
    • Phil Karlson

      Phil Karlson

      Wheeler Winston Dixon
      June 2017
      Issue 83
    more articles...
    Random

    • Olivier Assayas

      Michael Talbott
      May 2006
      Great Directors
      Issue 39
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Author Michael Talbott

Michael Talbott

Michael Talbott is a Cinema Studies Ph.D. Candidate, Tisch School of the Arts, New York University.

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Joaquim Pedro de Andrade

Michael Talbott
September 2009
Great Directors
Issue 52

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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