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  • Features
    Recent
    • American Utopia: Socio-economic Critique and Utopia in American Honey and The Florida Project

      Moritz Pfeifer
      October 2019
      Issue 92
    • Intimate Terrains: Contemporary German Cinema, Migration, and the Films of Aysun Bademsoy

      Moritz Pfeifer
      October 2019
      Issue 92
    • Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

      Moritz Pfeifer
      October 2019
      Issue 92
    • Woody Allen: Television as Crisis

      Moritz Pfeifer
      October 2019
      Issue 92
    more articles...
    Random
    • Valeska Grisebach’s Western: an unacknowledged remake of Samuel Fuller’s Run of the Arrow

      Moritz Pfeifer
      June 2018
      Feature Articles
      Issue 87
  • Festival Reports
    Recent
    • Of liberation, and of states of undress and redress both: The 54th Karlovy Vary International Film Festival

      Moritz Pfeifer
      October 2019
      Issue 92
    • This Is the Way the World Ends: The 10th Odesa Film Festival

      Moritz Pfeifer
      October 2019
      Issue 92
    • 22nd Revelation Perth Film Festival

      Moritz Pfeifer
      October 2019
      Issue 92
    • Sharing My Journey: Women and the 2019 Toronto International Film Festival

      Moritz Pfeifer
      October 2019
      Issue 92
    more articles...
    Random
    • Reaching Audiences: the 15th Thessaloniki Documentary Festival

      Moritz Pfeifer
      June 2013
      Festival Reports
      Issue 67
  • Book Reviews
    Recent
    • This Is Not Another Reading of a Master: The Invention of Robert Bresson: the Auteur and his Market, by Colin Burnett

      Moritz Pfeifer
      October 2019
      Issue 92
    • From April! April! to Imitation of Life: The Films of Douglas Sirk, by Tom Ryan

      Moritz Pfeifer
      October 2019
      Issue 92
    • “Mesdames, mesdemoiselles, messieurs: un classique!”: Eric Rohmer’s Film Theory (1948-1953) – From ‘École Scherer’ to ‘Politique des Auteurs’ by Marco Grosoli

      Moritz Pfeifer
      October 2019
      Issue 92
    • Political Gestures: Cinema/Politics/Philosophy, by Nico Baumbach

      Moritz Pfeifer
      July 2019
      Issue 91
    more articles...
    Random
    • Mise en Scène and Film Style: From Classical Hollywood to New Media Art, by Adrian Martin

      Moritz Pfeifer
      July 2016
      Book Reviews
      Issue 79
  • CTEQ
    Recent
    • Intimate Interiors: The Long Day Closes (Terence Davies, 1992)

      Moritz Pfeifer
      October 2019
      Issue 92
    • “Judge Tenderly of Me!”: Terence Davies’ Letter to Emily Dickinson in A Quiet Passion (2016)

      Moritz Pfeifer
      October 2019
      Issue 92
    • Autoluminescent: Rowland S. Howard (Lynn-Maree Milburn & Richard Lowenstein, 2011)

      Moritz Pfeifer
      October 2019
      Issue 92
    • Hear That Lonesome Whippoorwill: Terence Davies’ The Neon Bible (1995)

      Moritz Pfeifer
      October 2019
      Issue 92
    more articles...
    Random
    • Budd Boetticher

      Decision at Sundown

      Moritz Pfeifer
      July 2005
      Cinémathèque Annotations on Film, Revisiting Budd Boetticher
      Issue 83
  • Great Directors
    Recent
    • Fei Mu

      Moritz Pfeifer
      October 2019
      Issue 92
    • Huston, John

      Moritz Pfeifer
      July 2019
      Issue 91
    • Stone, Oliver

      Moritz Pfeifer
      July 2019
      Issue 91
    • Klapisch, Cédric

      Moritz Pfeifer
      March 2019
      Issue 90
    more articles...
    Random
    • Leone, Sergio

      Moritz Pfeifer
      October 2002
      Great Directors
      Issue 22
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Author Moritz Pfeifer

Moritz Pfeifer

Moritz Pfeifer studied Philosophy at the Free University of Berlin and Linguistics and Art History at the École des Hautes Études en Science Sociales in Paris. He lives in Paris and works as a freelance journalist for French, English and German speaking press, and is the co-founder and co-editor-in-chief of the East European Film Bulletin (eefb.org).

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Nationalism: On and Off the Screen

Moritz Pfeifer
June 2015
Feature Articles
Issue 75
Feature image: Leviathan (Andrey Zvyagintsev, 2014.) For a while it seemed that Cold War cleavages were the last heydays of state approved art consumption. But a European-wide renaissance of nationalism is...
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Either and Or: On Terrence Malick’s Tree of Life

Moritz Pfeifer
October 2011
Feature Articles
Issue 60
Terrence Malick’s poetic and ambiguous film has for the most part divided critics. Moritz Pfeifer offers his thoughts on a film where choosing sides may be inevitable.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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